Impuestos incluidos.
Los gastos de envío se calculan en la pantalla de pago.
Published in October 1984 (Shōwa 59), this is Issue No. 283 of Kokeshi Techō (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by Zenji Satō (佐藤善二).
Contents:
The Passing of Jitsutarō Susumago (煤孫実太郎) — Minekichi Nishida (西田峯吉), p.2
Form Is Emptiness (色即是空) — Riichi Takeda (武田利一), p.5
Kōzō Okuyama (奥山広三) and the Kokeshi of Yachi — Chōkichirō Shibata (柴田長吉郎), p.8
Record of a Visit to Sakunami — Kazuo Yamamoto (山本和夫), p.13
My Favourite Kokeshi — 久威智, p.16
Call for Manuscripts: Dialogue with Kokeshi Craftsmen — p.11
Kokeshi Distributed at the July Regular Meeting — p.14
Corrections to Kokeshi Techō Issue No. 281 — p.22
List of Prize Winners from the 30th Naruko National Kokeshi Festival — p.23
Members’ Salon — p.24
Kokeshi Articles and Literature — p.28
News from the Kokeshi World — p.30
The Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.
Its journal, Kokeshi Techō (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.
