This July 2021 issue (No. 538) of Me no Me (目の眼), a renowned Japanese monthly magazine dedicated to fine arts, antiques, and traditional craftsmanship, explores the spiritual beauty and historical significance of Buddhist sculptures in Japan.
First published in 1977, Me no Me is a respected publication among collectors, antique dealers, and enthusiasts of Japanese art. Each issue presents beautiful photography, expert commentary, and fascinating insights into Japan's rich artistic and cultural heritage.
Featured Theme – 十一面観音 光の旅 (Eleven-Faced Kannon: A Journey of Light)
The main feature of this issue focuses on Jūichimen Kannon (十一面観音), the Eleven-Faced Bodhisattva of Compassion, exploring the artistic and spiritual significance of this important figure in Japanese Buddhism.
The Eleven-Faced Kannon is a manifestation of Avalokiteśvara, the Bodhisattva of Compassion, traditionally depicted with eleven faces representing the ability to perceive suffering in all directions and extend compassion to all living beings.
The feature takes readers on a journey through Miwa and the Ise region of Japan (三輪から伊勢へ), exploring the sacred landscapes, religious traditions, and historical Buddhist sculptures associated with these areas.
The issue also highlights the renowned Hakuhō Buddhist sculptures (白鳳仏), reflecting the artistic developments of Japan's Hakuhō period (late 7th to early 8th century), when Buddhist sculpture was profoundly influenced by continental Asian traditions.
Alongside its main Buddhist art feature, this issue introduces other aspects of Japanese artistic heritage, including traditional performing arts, historical objects, and cultural figures.
A fascinating publication for collectors and enthusiasts of Japanese Buddhist art, antique sculptures, religious iconography, Japanese history, and traditional craftsmanship.
Size: 18 x 25cm
154 Pages
