{"title":"Kokeshi Techō","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖) is the association’s specialist journal, written and compiled by experienced kokeshi collectors and researchers in Japan. Rather than being a general-interest magazine, it is primarily devoted to collecting, research, and historical documentation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"kt15-kokeshi-techo-no-267-june-1983","title":"KT15 - Kokeshi Techō No. 267 — June 1983","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eJune 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 267\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eTatsuo Satō (佐藤辰雄)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eVeteran Craftsman Kihei Watanabe (渡辺喜平) of Sabako\u003c\/em\u003e — Chōkichirō Shibata (柴田長吉郎), p.2\u003c\/li\u003e\n\u003cli\u003eAnnouncement of the Autumn Excursion — p.6\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the March and April Regular Meetings — p.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIdle Thoughts of “Takobōzu”: Traditional Nakanozawa Kokeshi\u003c\/em\u003e — Nobuo Honda (本多信夫), p.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMiscellaneous Thoughts on Kokeshi\u003c\/em\u003e — Hiroshi Matsushima (松島寛), p.11\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMarch Souvenir Kokeshi: Abe Heishirō (阿部平四郎) and Yōko (陽子)\u003c\/em\u003e — Kazuo Yamazaki (山崎一夫), p.12\u003c\/li\u003e\n\u003cli\u003eNews from the Regular Meeting — p.13\u003c\/li\u003e\n\u003cli\u003eNotices from the Association — p.13\u003c\/li\u003e\n\u003cli\u003eShiroishi All-Japan Kokeshi Competition — p.14\u003c\/li\u003e\n\u003cli\u003eList of Prize Winners — p.15\u003c\/li\u003e\n\u003cli\u003eNews from the Regular Meeting — p.16\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.16\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.19\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.21\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58446877360459,"sku":"KT15","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_56a9f0bc-e217-4fef-9220-f5a699105632.jpg?v=1789128793"},{"product_id":"kt16-kokeshi-techo-no-268-july-1983-こけし手帖","title":"KT16 - Kokeshi Techō No. 268 — July 1983","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eJuly 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 268\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003e三浦光美\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eTracing the Footsteps of Prince Shiibashi (椎橋親王)\u003c\/em\u003e — 柴田長吉郎, p.2\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the May Regular Meeting — p.6\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTo Young Kokeshi Collectors\u003c\/em\u003e — 宇田川智恵子, p.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIdle Thoughts of “Takobōzu” (Continued)\u003c\/em\u003e — 本多信夫, p.10\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eImpressions of the Spring Excursion\u003c\/em\u003e — 中津政雄, p.14\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.19\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.23\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.26\u003c\/li\u003e\n\u003cli\u003eAnnouncement of the Autumn Excursion — p.26\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58449851384139,"sku":"KT16","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_5e444823-ad6f-4824-83c6-fbe14410ea41.jpg?v=1789154353"},{"product_id":"kt17-kokeshi-techo-no-269-august-1983-こけし手帖","title":"KT17 - Kokeshi Techō No. 269 — August 1983","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eAugust 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 269\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), a special \u003cstrong\u003e30th Anniversary Commemorative Issue\u003c\/strong\u003e celebrating three decades of the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会).\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eChronology of the Tokyo Kokeshi Tomo-no-kai\u003c\/em\u003e — p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe History of the Association: Celebrating the 30th Anniversary of Its Founding\u003c\/em\u003e — 西田峯吉, p.4\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMemories from the Time of the Association’s Founding\u003c\/em\u003e — 今村秀太郎, p.7\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOn the 30th Anniversary\u003c\/em\u003e — 森田文三, p.9\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIn Praise of Small Kokeshi\u003c\/em\u003e — 菅野新一, p.10\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Association’s 30th Anniversary and Memories of My Introduction to Kokeshi\u003c\/em\u003e — 西一郎, p.12\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOn the 30th Anniversary\u003c\/em\u003e — 佐藤茂, p.17\u003c\/li\u003e\n\u003cli\u003eQuestionnaire for Kokeshi Craftsmen — p.19\u003c\/li\u003e\n\u003cli\u003eQuestionnaire for Kokeshi Collectors and Enthusiasts — p.21\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMay Souvenir Kokeshi: Okazaki Saiji (岡崎斉司)\u003c\/em\u003e — 山崎一夫, p.24\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Collection of Flowers\u003c\/em\u003e — 武田利一, p.25\u003c\/li\u003e\n\u003cli\u003eKokeshi Discussion Group — 柴田長吉郎, p.29\u003c\/li\u003e\n\u003cli\u003eExcursion Group — 山崎一夫, p.31\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eCovers of Kokeshi Techō: From the 25th Anniversary Onward\u003c\/em\u003e — 柴田長吉郎, p.32\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePrince Shiibashi (椎橋親王) in The Tales of Ise (伊勢物語)\u003c\/em\u003e — 沖田浩, p.34\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.38\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.42\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.43\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e45 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58457285263691,"sku":"KT17","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_2855eb6f-6be9-4fce-9d78-54fa9ff749d7.jpg?v=1789244704"},{"product_id":"kt18-kokeshi-techo-no-279-june-1984-こけし手帖","title":"KT18 - Kokeshi Techō No. 279 — June 1984","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eJune 1984 (Shōwa 59)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 279\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eShūichi Satō (佐藤秀一)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eTomoharu Satō’s Kokeshi and Posthumous Writings (Continued)\u003c\/em\u003e — 後藤昭信, p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eRemembering Mr. Yamada of the Miniature Kokeshi\u003c\/em\u003e — 石井荘男, p.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIn Memory of Chūichi Akiyama (秋山忠市)\u003c\/em\u003e — 柴田長吉郎, p.10\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMourning the Death of Kōzō Okuyama (奥山広三)\u003c\/em\u003e — 安孫子春悦, p.11\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Little Detour: A Tour of Kokeshi Statues (Additional Notes)\u003c\/em\u003e — 深瀬秀, p.12\u003c\/li\u003e\n\u003cli\u003eList of Prize Winners from the 26th All-Japan Kokeshi Competition — p.15\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMansaku Kokeshi Made by the Village Mayor\u003c\/em\u003e — 伊藤為之助, p.16\u003c\/li\u003e\n\u003cli\u003eNews from the Regular Meeting — p.17\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the April Regular Meeting — p.18\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLimited Learning, Little Talent — Three Measures of Cold Sweat\u003c\/em\u003e — 佐治信太郎, p.20\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eApril Souvenir Kokeshi: Kobayashi Chūjirō (小林忠次郎)\u003c\/em\u003e — p.21\u003c\/li\u003e\n\u003cli\u003eCorrections to \u003cem\u003eKokeshi Techō\u003c\/em\u003e Issues No. 276 and 277 — p.21\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.22\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.27\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.29\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e34 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58468755210571,"sku":"KT18","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_a30076a3-e390-439d-89ef-f16032ab468c.jpg?v=1789391400"},{"product_id":"kt19-kokeshi-techo-no-270-september-1983-こけし手","title":"KT19 - Kokeshi Techō No. 270 — September 1983","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"LR5Y_W_content markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eSeptember 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 270\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003e三浦光美\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eFurther Tracing the Footsteps of Prince Shiibashi (椎橋親王)\u003c\/em\u003e — Chōkichirō Shibata (柴田長吉郎), p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eJune Souvenir Kokeshi: Okazaki Seiichi (岡崎斉一)\u003c\/em\u003e — p.7\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eJuly Souvenir Kokeshi: Koseki Yukio (小関幸雄)\u003c\/em\u003e — p.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePoet Horiguchi Daigaku (堀口大学) and Kokeshi\u003c\/em\u003e — Akinobu Gotō (後藤昭信), p.9\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.16\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the June Regular Meeting — p.20\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the July Regular Meeting — p.21\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.22\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.26\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\"\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 pages\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58478853226827,"sku":"KT19","price":7.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_5a495bc4-8ac2-4aae-8987-9473f2cd3bac.jpg?v=1789478236"},{"product_id":"kt20-kokeshi-techo-no-278-may-1984-こけし手帖","title":"KT20 - Kokeshi Techō No. 278 — May 1984","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"LR5Y_W_content markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eMay 1984 (Shōwa 59)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 278\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eShūichi Satō (佐藤秀一)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eTomoharu Satō’s Kokeshi and Posthumous Writings\u003c\/em\u003e — 後藤昭信, p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Little Detour: A Tour of Kokeshi Statues (Continued)\u003c\/em\u003e — 深瀬秀, p.6\u003c\/li\u003e\n\u003cli\u003eNotice regarding Mail-Order Distribution — p.13\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the March Regular Meeting — p.14\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOn the Questionable Akiu Kokeshi\u003c\/em\u003e — 矢田正生, p.15\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMarch Souvenir Kokeshi: Hideo Ōnuma (大沼秀雄)\u003c\/em\u003e — p.16\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eEarly Spring in Shiokawa\u003c\/em\u003e — 鈴木円乗, p.17\u003c\/li\u003e\n\u003cli\u003eNews from the Regular Meeting — p.19\u003c\/li\u003e\n\u003cli\u003eKokeshi Discussion Group — p.19\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.20\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.26\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.26\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\"\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003cbr\u003e30\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58489206473035,"sku":"KT20","price":7.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_bffa3d70-040c-42ff-9cd0-ed724eefb24f.jpg?v=1789566622"},{"product_id":"kt21-kokeshi-techo-no-280-july-1984","title":"KT21 - Kokeshi Techō No. 280 — July 1984","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"LR5Y_W_content markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eJuly 1984 (Shōwa 59)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 280\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会).\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eWood-Carved Rakan (Arhat)\u003c\/em\u003e — Riichi Takeda (武田利一), p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eContinued: Stories Heard from Tsurumatsu Honda (本田鶴松)\u003c\/em\u003e — Shinichi Kanno (菅野新一), p.5\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMay Souvenir Kokeshi: Tsunehiko Watanabe (渡辺恒彦)\u003c\/em\u003e — p.6\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMy Favourite Kokeshi: Evening Tales of Collecting\u003c\/em\u003e — Masao Nawa (名和昌夫), p.7\u003c\/li\u003e\n\u003cli\u003eNews from the Regular Meeting — p.11\u003c\/li\u003e\n\u003cli\u003eAdditional Corrections — p.11\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eReading the Reprint Edition of Kokeshi Techō\u003c\/em\u003e — Kōtarō Kaneko (金子孝太郎), p.12\u003c\/li\u003e\n\u003cli\u003eCorrections to Issue No. 278 — p.13\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.14\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.19\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.20\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\"\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e24 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58489355174219,"sku":"KT21","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_09071f9a-2491-4084-9c97-af65900f8842.jpg?v=1789567897"},{"product_id":"kt23-kokeshi-techo-no-282-september-1984","title":"KT23 - Kokeshi Techō No. 282 — September 1984","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eSeptember 1984 (Shōwa 59)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 282\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eZenji Satō (佐藤善二)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eDōmu Robuta (童夢炉蓋), Part II\u003c\/em\u003e — Riichi Takeda (武田利一), p.2\u003c\/li\u003e\n\u003cli\u003eCorrections to \u003cem\u003eKokeshi Techō\u003c\/em\u003e Issue No. 280 — p.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOn “Hidden Enthusiasts” and Other Matters\u003c\/em\u003e — Ryōsuke Saitō (斎藤良輔), p.8\u003c\/li\u003e\n\u003cli\u003eNews from the Regular Meeting — p.12\u003c\/li\u003e\n\u003cli\u003eAnnouncement of the Autumn 1984 Excursion — p.13\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the June Regular Meeting — p.14\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThose Who Make and Those Who Seek\u003c\/em\u003e — Enjō Suzuki (鈴木円乗), p.16\u003c\/li\u003e\n\u003cli\u003eNotice regarding Mail-Order Distribution — p.20\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKokeshi Ornaments\u003c\/em\u003e — Masao Yada (矢田正生), p.21\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eJuly Souvenir Kokeshi: Tadashi Satō (佐藤忠)\u003c\/em\u003e — p.22\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.22\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.29\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\"\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e32 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58507642503499,"sku":"KT23","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_18c866f0-5a4f-4f9e-afab-98490b5c9338.jpg?v=1789644254"},{"product_id":"kt24-kokeshi-techo-no-283-october-1984","title":"KT24 - Kokeshi Techō No. 283 — October 1984","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eOctober 1984 (Shōwa 59)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 283\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eZenji Satō (佐藤善二)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eThe Passing of Jitsutarō Susumago (煤孫実太郎)\u003c\/em\u003e — Minekichi Nishida (西田峯吉), p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eForm Is Emptiness (色即是空)\u003c\/em\u003e — Riichi Takeda (武田利一), p.5\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKōzō Okuyama (奥山広三) and the Kokeshi of Yachi\u003c\/em\u003e — Chōkichirō Shibata (柴田長吉郎), p.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eRecord of a Visit to Sakunami\u003c\/em\u003e — Kazuo Yamamoto (山本和夫), p.13\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMy Favourite Kokeshi\u003c\/em\u003e — 久威智, p.16\u003c\/li\u003e\n\u003cli\u003eCall for Manuscripts: \u003cem\u003eDialogue with Kokeshi Craftsmen\u003c\/em\u003e — p.11\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the July Regular Meeting — p.14\u003c\/li\u003e\n\u003cli\u003eCorrections to \u003cem\u003eKokeshi Techō\u003c\/em\u003e Issue No. 281 — p.22\u003c\/li\u003e\n\u003cli\u003eList of Prize Winners from the 30th Naruko National Kokeshi Festival — p.23\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.24\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.28\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\"\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e32 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58509751484747,"sku":"KT24","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_514f2e8a-0a03-4142-8d75-57219f14ff1d.jpg?v=1789654269"},{"product_id":"kt26-kokeshi-techo-no-285-december-1984","title":"KT26 - Kokeshi Techō No. 285 — December 1984","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eDecember 1984 (Shōwa 59)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 285\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eZenji Satō (佐藤善二)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eThoughts on Kokeshi\u003c\/em\u003e — Gorō Takahashi (高橋五郎), p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOctober Souvenir Kokeshi: Shūichi Satō (佐藤秀一)\u003c\/em\u003e — p.4\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKokeshi Notes\u003c\/em\u003e — Chōkichirō Shibata (柴田長吉郎), p.5, including: \u003cstrong\u003eEiichi Satō of Noboribetsu; old kokeshi from the Yokoyama workshop in Hijiori; Bunroku’s wooden cups; the beginning of Satō Yuzuru’s kokeshi making; Enkichi and Jihei’s kokeshi; the Akiyama family craftsmen of Naruko; notes on Toranosuke Satō; patterns on Hyōjirō’s kokeshi; and woodturners of the Iwasawa Mine\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eVisiting Inago\u003c\/em\u003e — Hiroshi Matsushima (松島寛), p.7\u003c\/li\u003e\n\u003cli\u003eNews from the Regular Meeting — p.9\u003c\/li\u003e\n\u003cli\u003eCorrections to \u003cem\u003eKokeshi Techō\u003c\/em\u003e Issue No. 283 — p.9\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eEmptiness Is Form (空即是色)\u003c\/em\u003e — Riichi Takeda (武田利一), p.10\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the October Regular Meeting — p.12\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDrawn to Kokeshi\u003c\/em\u003e — Hideo Hideya (秀谷英男), p.14\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.15\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.21\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\"\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e26 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58509950550347,"sku":"KT26","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_025f1e03-6cc6-460b-a5e2-392aaba7d961.jpg?v=1789654976"},{"product_id":"kt27-kokeshi-techo-no-271-october-1983","title":"KT27 - Kokeshi Techō No. 271 — October 1983","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eOctober 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 271\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eMitsumi Miura (三浦光美)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eList of Prize Winners from the 29th National Kokeshi Festival\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIizaka: The Kokeshi of Kiichi Satō (佐藤喜一)\u003c\/em\u003e — Chōkichirō Shibata (柴田長吉郎), p.2\u003c\/li\u003e\n\u003cli\u003eCorrections to \u003cem\u003eKokeshi Techō\u003c\/em\u003e Issue No. 270 — p.6\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLearning About Kokeshi\u003c\/em\u003e — Eiichi Nakatani (中谷栄一), p.7\u003c\/li\u003e\n\u003cli\u003eNotice of the 30th Anniversary Commemorative Kokeshi Distribution — p.10\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eReport on the 30th Anniversary Celebration\u003c\/em\u003e — Shōji Tezuka (手塚正二), p.11\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAbout the Commemorative Tenugui\u003c\/em\u003e — Riichi Takeda (武田利一), p.14\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eCommemorative Distribution: Kokeshi and Ejiko\u003c\/em\u003e — Yaeko Asaga (浅賀八重子), p.15\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.17\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.22\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.25\u003c\/li\u003e\n\u003cli\u003eReport on the 30th Anniversary Commemorative Events — p.26\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\"\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003cbr\u003e30\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58544523051339,"sku":"KT27","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_2b81c4d6-7ee7-415b-99c8-4de3f5371691.jpg?v=1789933154"},{"product_id":"kt28-kokeshi-techo-no-286-january-1985","title":"KT28 - Kokeshi Techō No. 286 — January 1985","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eJanuary 1985 (Shōwa 60)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 286\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). This is the \u003cstrong\u003eNew Year issue\u003c\/strong\u003e, with cover artwork by \u003cstrong\u003e鈴木征一\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003ePublishing Culture and the Culture of Awards in the Kokeshi World — A Preliminary Draft\u003c\/em\u003e — Minekichi Nishida (西田峯吉), p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eNew Year Kokeshi Roundtable Discussion\u003c\/em\u003e — p.8\u003c\/li\u003e\n\u003cli\u003eCorrections to \u003cem\u003eKokeshi Techō\u003c\/em\u003e Issue No. 284 — p.12\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTen Thousand Days at an Ox’s Pace (牛歩萬日)\u003c\/em\u003e — Riichi Takeda (武田利一), p.13\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the November Regular Meeting — p.15\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eReport on the Autumn 1984 Excursion\u003c\/em\u003e — 村上穆, p.17\u003c\/li\u003e\n\u003cli\u003eNews from the Regular Meeting — p.23\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.24\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eNovember Souvenir Kokeshi: Hiromi Itō (伊藤宏美)\u003c\/em\u003e — p.28\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.29\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\"\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003cbr\u003e32\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58554574537035,"sku":"KT28","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_443cb645-79bb-467a-a904-f330389dff70.jpg?v=1790023373"},{"product_id":"kt29-kokeshi-techo-no-272-november-1983","title":"KT29 - Kokeshi Techō No. 272 — November 1983","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eNovember 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 272\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). This issue includes material related to the association’s \u003cstrong\u003e30th anniversary\u003c\/strong\u003e, with cover artwork by \u003cstrong\u003eMitsumi Miura (三浦光美)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eProblems in the Classification of Kokeshi Lineages: The Yamagata and Sakunami Styles\u003c\/em\u003e — Chōkichirō Shibata (柴田長吉郎), p.2\u003c\/li\u003e\n\u003cli\u003eNotice Regarding 1984 Membership Fees — p.4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e30th Anniversary Commemorative Event Report:\u003c\/strong\u003e \u003cem\u003eThe Making of the Second Volume of the Reprinted Kokeshi Techō\u003c\/em\u003e — Hikaru Ono (小野洸), p.5\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e30th Anniversary Commemorative Excursion Report:\u003c\/strong\u003e \u003cem\u003eTouring the Historic Sites Associated with Prince Koretaka (惟喬親王) in Rakuhoku, Kyoto\u003c\/em\u003e — Katsuharu Nakamura (中村勝治), p.7\u003c\/li\u003e\n\u003cli\u003eNews from the Regular Meeting — p.16\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAizu Clay Doll Craftsmen\u003c\/em\u003e — 宮嵩友宏, p.17\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSeptember Souvenir Kokeshi\u003c\/em\u003e — Kazuo Yamazaki (山崎一夫), p.19\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.19\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.24\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.25\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\"\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003cbr\u003e28\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58562384134475,"sku":"KT29","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_a34c4b04-9264-4d0c-89aa-2436d93d8e08.jpg?v=1790084780"},{"product_id":"kt30-kokeshi-techo-no-273-december-1983","title":"KT30 - Kokeshi Techō No. 273 — December 1983","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eDecember 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 273\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eMitsumi Miura (三浦光美)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eStories Heard from Tsurumatsu Honda (本田鶴松)\u003c\/em\u003e — Shinichi Kanno (菅野新一), p.2\u003c\/li\u003e\n\u003cli\u003eCorrections to \u003cem\u003eKokeshi Techō\u003c\/em\u003e Issue No. 271 — p.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAutumn Excursion — A Day as a Traveling Wanderer\u003c\/em\u003e — Riichi Takeda (武田利一), p.8\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the September Regular Meeting — p.15\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eGinzan Onsen (銀山温泉)\u003c\/em\u003e — Kōtarō Kaneko (金子孝太郎), p.16\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.18\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.22\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKokeshi Notes, Continued\u003c\/em\u003e — Chōkichirō Shibata (柴田長吉郎), p.25\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.25\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"auto\"\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003cbr\u003e28\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58580115882315,"sku":"KT30","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_94a0b7cc-11a3-43fd-921c-dd939512e990.jpg?v=1790195638"},{"product_id":"kt31-kokeshi-techo-no-274-january-1984","title":"KT31 - Kokeshi Techō No. 274 — January 1984","description":"\u003cp\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJanuary 1984 (Shōwa 59)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 274\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). This is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNew Year issue\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with cover artwork by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShūichi Satō (佐藤秀一)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eKokeshi Awards in Full Bloom\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Minekichi Nishida (西田峯吉), p.2 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eOctober Regular Meeting Souvenir Kokeshi: Kōichi Koseki (小関幸一)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.5 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eVarious Thoughts on Kokeshi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 葦文六郎, p.6 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eNovember Regular Meeting Souvenir Kokeshi: Takeo Takahashi (高橋武男)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.12 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Regular Meeting — p.12 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eReflections on Kokeshi: A Craftsman’s Monologue\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Chōkichirō Shibata (柴田長吉郎), p.13 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e Issue No. 272 — p.15 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eSpring of the Seventieth Year\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Riichi Takeda (武田利一), p.16 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the October Regular Meeting — p.18 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the November Regular Meeting — p.19 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eOld-Timers’ Excursion\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Yamazaki (山崎一夫), p.20 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMembers’ Salon — p.21 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Articles and Literature — p.28 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Kokeshi World — p.31\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e32 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58613008138571,"sku":"KT31","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_cdbc17a9-c247-4a7e-9cb1-2f9260d7cd4a.jpg?v=1790511728"},{"product_id":"kt32-kokeshi-techo-no-275-february-1984","title":"KT32 - Kokeshi Techō No. 275 — February 1984","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFebruary 1984 (Shōwa 59)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 275\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShūichi Satō (佐藤秀一)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eAkiu Kokeshi: Shōshichi or Yoshio?\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Shintarō Saji (佐治信太郎), p.2 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eThe Kokeshi of Akira Kon (今晃)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Hiroshi Kagawa (加川弘士), p.4\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eMy Favourite Kokeshi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 木村録郎, p.8\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReport on the 30th Anniversary Commemorative Kokeshi Distribution — p.10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the December Regular Meeting — p.11\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eReading the Reprint Edition of Kokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 豊田清治, p.12\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eDecember Souvenir Kokeshi: Takahashi Taketoshi (高橋武俊)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.13\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Regular Meeting — p.14\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMembers’ Salon — p.14\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Articles and Literature — p.18\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.21\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAnnouncement of the Spring 1984 Excursion — p.21\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Kokeshi World — p.21\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e \u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58623908413771,"sku":"KT32","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_53af2b28-78fa-4641-9cd8-6e93d38f94c9.jpg?v=1790607034"},{"product_id":"kt33-kokeshi-techo-no-276-march-1984","title":"KT33 - Kokeshi Techō No. 276 — March 1984","description":"\u003cp\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMarch 1984 (Shōwa 59)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 276\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShūichi Satō (佐藤秀一)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. This issue includes a special feature on the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efirst Tokyo Kokeshi Tomo-no-kai Award\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eSpecial Feature: The 1983 (Shōwa 58) First Tomo-no-kai Award\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.2 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNotice: \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e File — p.4 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eReport of the Tokyo Kokeshi Tomo-no-kai Award Judging Committee\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 中沢銑太郎, p.5 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eOn the First Tomo-no-kai Award Honoring Kokeshi Craftsmen\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 八尾鎮雄, p.6 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eThoughts on the First Tomo-no-kai Award\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 酒井利治, p.7 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eAfter the Judging of the “Tokyo Kokeshi Tomo-no-kai Award”\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 村上穆, p.9 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e Issue No. 274 — p.12 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eApology and Notice Regarding the Membership Directory — p.12 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the January Regular Meeting — p.13 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eTouring the New Year Kokeshi Exhibitions\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 郷武, p.16 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eNew Year Meeting Souvenir Kokeshi: Takahashi Shōgo (高橋正吾) and Satō Masataka (佐藤誠孝)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.19 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Regular Meeting — p.20 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMembers’ Salon — p.21 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Articles and Literature — p.28 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Kokeshi World — p.28\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58642532761931,"sku":"KT33","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_d463ded2-d11f-494e-af57-004ecc766d6a.jpg?v=1790713195"},{"product_id":"kt34-kokeshi-techo-no-277-april-1984","title":"KT34 - Kokeshi Techō No. 277 — April 1984","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eApril 1984 (Shōwa 59)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 277\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShūichi Satō (佐藤秀一)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eBrief Chronology of Hisashi Niiyama (新山久志)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.2 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eIn Memory of Hisashi Niiyama\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 柴田長吉郎, p.3 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eA Little Detour: Touring Kokeshi Statues\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 深瀬秀, p.4 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eFebruary Souvenir Kokeshi: Ōnuma Hideaki (大沼秀顕)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.9 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the February Regular Meeting — p.10 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003ePersonal Views on the “Sakunami” and “Yamagata” Kokeshi Lineages\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 小岩俊一, p.12 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e Issue No. 275 — p.14 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eList of Prize Winners from the 3rd Michinoku Kokeshi Festival — p.15 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Regular Meeting — p.16 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMembers’ Salon — p.17 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Articles and Literature — p.22 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Kokeshi World — p.24 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eKokeshi at the Main Building of the Yumeji Art Museum\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 円尾政弘, p.25\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58658788868427,"sku":"KT34","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_dc34a813-0a8e-474b-a2d7-e7ee50a8deef.jpg?v=1790808018"},{"product_id":"kt35-kokeshi-techo-no-287-february-1985","title":"KT35 - Kokeshi Techō No. 287 — February 1985","description":"\u003cp\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFebruary 1985 (Shōwa 60)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 287\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSeiichi Suzuki (鈴木征一)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eAn Unsung Craftsman: Obara Naoji (小原直治)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 小野洸, p.2 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eIn Memory of Abe Hiroshi (阿部広史)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 柴田長吉郎, p.7 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eDecember Souvenir Kokeshi: Susumago Mor造 (煤孫盛造)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.9 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eA Room with Kokeshi: Visiting Shōtarō Ikenami (池波正太郎)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 郷武, p.10 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eExcursion Guide: The Homeland of Poet Ishikawa Takuboku (石川啄木)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.12 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Regular Meeting — p.12 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e1984 Tokyo Kokeshi Tomo-no-kai Award — p.13 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the December Regular Meeting — p.14 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eA Moving Experience\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 浜田幸房, p.16 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMembers’ Salon — p.18 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Articles and Literature — p.22 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAnnouncement of the Spring 1985 Excursion — p.24 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Kokeshi World — p.25\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003cbr\u003e28 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58685751984459,"sku":"KT35","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_8c48b189-c94b-4a03-b7bf-b000f1c72bd1.jpg?v=1791005016"},{"product_id":"kt36-kokeshi-techo-no-288-march-1985","title":"KT36 - Kokeshi Techō No. 288 — March 1985","description":"\u003cp\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMarch 1985 (Shōwa 60)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 288\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSeiichi Suzuki (鈴木征一)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe cover is dated March 1985, although the internal masthead appears to read “February issue.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eSelection of the Second Tokyo Kokeshi Tomo-no-kai Award\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Yamazaki (山崎一夫), p.2 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eReport of the Tokyo Kokeshi Tomo-no-kai Award Judging Committee\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 八尾鎮雄, p.4 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eBehind the Scenes of the Tomo-no-kai Award Judging\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 村上穆, p.6 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eOn the First Turning of the Year\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kōtarō Kaneko (金子孝太郎), p.9 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eAbout Shida Kikumaro (志田菊磨呂)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.13 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eIn Memory of Shida Kikumaro (志田菊磨呂)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 安孫子春悦, p.14 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eNew Year Kokeshi Events Roundup\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Chōkichirō Shibata (柴田長吉郎), p.17 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eCraftsman Introduction: Shida Kikuhiro (志田菊宏)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 安孫子春悦, p.19 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eIn Praise of Abe Heishirō (阿部平四郎): Viewing the New Year Keio Kokeshi Exhibition\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Yamamoto (山本和夫), p.20 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Regular Meeting — p.10 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e Issue No. 286 — p.13 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRegarding Membership Fees for Shōwa 60 (1985) — p.13 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eNew Year Meeting Souvenir Kokeshi: Ōnuma Shōji (大沼昇治) and Watanabe Tsunehiko (渡辺恒彦)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.21 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the January Regular Meeting — p.22 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMembers’ Salon — p.25 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eList of Prize Winners of the 2nd Tomo-no-kai Award — p.26 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Articles and Literature — p.27 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Kokeshi World — p.28\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSize: 12.5 x 18cm\u003cbr\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58769048207691,"sku":"KT36","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_55ad2c80-23e8-4341-8003-e92860ecef29.jpg?v=1791549011"},{"product_id":"kt37-kokeshi-techo-no-289-april-1985","title":"KT37 - Kokeshi Techō No. 289 — April 1985","description":"\u003cp\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eApril 1985 (Shōwa 60)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 289\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSeiichi Suzuki (鈴木征一)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eTalking About Kokeshi: An Interview with Shiroishi Mayor Teiichi Kawai (川井貞一)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Akinobu Gotō (後藤昭信), p.2 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eCarrying on the Legacy of Ichinohe Nokichi (一戸之吉): Tōgatta-lineage Craftsman Kazuo Satō (佐藤一夫)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Toshio Takahashi (高橋利夫), p.6 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eIn Memory of Denki Satō (佐藤伝喜)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Akira Negishi (根岸晃), p.10 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e Issue No. 287 — p.12 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eFebruary Souvenir Kokeshi: Izu Mamoru (伊豆護)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.12 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eExcursion Guide: Mayogahira and the Legend of Christ\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Chōkichirō Shibata (柴田長吉郎), p.13 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eRemnants of a Journey: Kokeshi at Daimaru Bessō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Shintarō Saji (佐治信太郎), p.14 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the February Regular Meeting — p.16 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eList of Prize Winners from the 4th Michinoku Kokeshi Festival — p.18 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Regular Meeting — p.20 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMembers’ Salon — p.21 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Articles and Literature — p.26 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Kokeshi World — p.28\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58789543805259,"sku":"KT37","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_17b94976-427c-4e58-b9a5-11d511799cec.jpg?v=1791689486"},{"product_id":"kt40-kokeshi-techo-no-292-july-1985","title":"KT40 - Kokeshi Techō No. 292 — July 1985","description":"\u003cp\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJuly 1985 (Shōwa 60)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 292\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIkuo Okazaki (岡崎幾雄)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eThe Tragic Prince Koretaka and His Background — Continuation of “Visiting Prince Koretaka in Western Sagami”\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Itō (伊藤和雄), p.2 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eSecond General Assembly of the National Kokeshi Organizations Council: Issues of Lineage Classification and the Introduction of New Craftsmen\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.5 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eMay Souvenir Kokeshi: Masaaki Kishi (岸正章)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.9 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the May Regular Meeting — p.10 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eContinued: A Room with Kokeshi — Visiting Tomikichirō Tokuriki (徳力富吉郎)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 郷武, p.12 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eReport on the Spring Excursion\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 久威智, p.14 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from Chairman Nishida — p.21 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMembers’ Salon — p.22 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eOld Tales from the Eastern Foothills of Zaō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Shinichi Kanno (菅野新一), p.24 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Articles and Literature — p.24 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Kokeshi World — p.25\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58863404876107,"sku":"KT40","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_74ca4dcd-36e6-44ab-a25e-e915d75df5fb.jpg?v=1792113999"},{"product_id":"kt41-kokeshi-techo-no-293-august-1985","title":"KT41 - Kokeshi Techō No. 293 — August 1985","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAugust 1985 (Shōwa 60)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 293\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIkuo Okazaki (岡崎幾雄)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eThe Tragic Prince Koretaka and His Background (Continued)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Itō (伊藤和雄), p.2 \u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eContinuation of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eVisiting Prince Koretaka in Western Sagami\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eTouring Sites Associated with the Prince Koretaka Tradition in Eastern Ōmi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Hiroshi Okita (沖田浩), p.6 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Regular Meeting — p.10 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAnnouncement of the Autumn 1985 Excursion — p.11 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eJune Souvenir Kokeshi: Shōgo Ogura (小椋正吾)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.11 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the June Regular Meeting — p.12 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eMemories of the Kokeshi of Zenji Satō (佐藤善二)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Chōkichirō Shibata (柴田長吉郎), p.14 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eThe Christ in Our Home\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Riichi Takeda (武田利一), p.16 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Minekichi Nishida (西田峯吉), p.19 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMembers’ Salon — p.21 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSpecial Regional Distribution: Souvenir Kokeshi Set — p.22 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Articles and Literature — p.24 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Kokeshi World — p.25\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58936784159051,"sku":"KT41","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_95275b3d-20aa-4abf-821f-e20440b7ab05.jpg?v=1792575805"},{"product_id":"kt42-kokeshi-techo-no-298-january-1986","title":"KT42 - Kokeshi Techō No. 298 — January 1986","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJanuary 1986 (Shōwa 61)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 298 — New Year Edition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eThe Evolution of Kokeshi and the Formation of a “Second World” through the Distribution Revolution\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Minekichi Nishida (西田峯吉), p.2\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eFragments of Reminiscence (1)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Riichi Takeda (武田利一), p.4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eReflections on Tōhoku and Kokeshi Culture\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 次朗阿野, p.6\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eOku no Hosomichi: A Journey with Kokeshi (3)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Chōkichirō Shibata (柴田長吉郎), p.8\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eThoughts on Kokeshi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Minoru Murakami (村上穣), p.11\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eAs a Member of the Regular-Meeting Kokeshi Distribution Project Team\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 橋本永興, p.12\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eDrunken Discussion\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Shōji Tezuka (手塚正二), p.13\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eEnjoying Small Kokeshi and Mame Kokeshi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Ogawa (小川一雄), p.14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eReport on the 60th Excursion\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — text by 政雄中津; photographs by 橋本永興, p.15\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.5\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNews from the Kokeshi World — p.7\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eInformation on the New Year Regular Meeting Venue — p.13\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNovember Souvenir Kokeshi: Isamu Igarashi (五十嵐勇) — p.23\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Distributed at the November Regular Meeting — p.24\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eMembers’ Salon — p.26\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Articles and Literature — p.29\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi World News — p.30\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58948116152651,"sku":"KT42","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_1ce776f0-da06-4247-80c5-ced366e877c0.jpg?v=1792608653"},{"product_id":"kt43-kokeshi-techo-no-294-september-1985","title":"KT43 - Kokeshi Techō No. 294 — September 1985","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSeptember 1985 (Shōwa 60)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 294\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover illustration by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIkuo Okazaki (岡崎幾雄)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eMemories of the Kokeshi Association\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Gohachi \u0026amp; Hidetarō Imamura (吾八・今村秀太郎), p.2\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNotice of the Kokeshi Discussion Meeting — p.4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eMemories of Mr. Zenji Satō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Yamazaki (山崎一夫), p.5\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eJuly Souvenir Kokeshi: Hidenori Ōnuma (大沼秀則) — p.7\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eVisiting Sites Associated with the Legend of Prince Koretaka in Eastern Lake Biwa, Ōmi (continued)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Hiroshi Okita (沖田浩), p.8\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eEstablishment of the Miyagi Prefecture Federation of Traditional Kokeshi Associations — p.11\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBook Review: \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe World of the Illustrated Volume “Kokeshi Ishi”\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Chōkichirō Shibata (柴田長吉郎), p.12\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Distributed at the July Regular Meeting — p.14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Minekichi Nishida (西田峯吉), p.16\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eTravel Group Guide: Field Visit to Komata Gorge\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Yamazaki (山崎一夫), p.20\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eRegular Meeting News — p.21\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eDōmu Robuta\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (Conclusion) — Riichi Takeda (武田利一), p.22\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eMembers’ Salon — p.24\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Articles and Literature — p.25\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi World News — p.26\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58964330971467,"sku":"KT43","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_9efae0d1-c3b6-4349-9805-5123389dff0c.jpg?v=1792746542"},{"product_id":"kt44-kokeshi-techo-no-295-october-1985","title":"KT44 - Kokeshi Techō No. 295 — October 1985","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eOctober 1985 (Shōwa 60)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 295\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTokyo Kokeshi Tomo-no-kai (東京こけし友の会)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The cover illustration, featuring a stylized traditional kokeshi figure with a bold floral motif, was created by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIkuo Okazaki (岡崎幾雄)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eMemories of Yutaka Inage and Kokeshi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Takashi Itō (伊藤孝), p.2\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eA Visit to “Michi no Kojima”\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (「みちの小島」探訪記) — Chōkichirō Shibata (柴田長吉郎), p.6\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eOral History: The Mountain Gods\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (聞き書・山の神様) — Shin Kanno (菅野新), p.10\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eA Room with Kokeshi — Visiting Mr. Katō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけしのある部屋―加藤剛さんをお訪ねして), p.12\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNational Kokeshi Festival \u0026amp; Onsen Shrine Festival Schedule, p.14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eList of Prize Winners from the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e31st National Kokeshi Festival\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, p.15\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (身辺雑記) — Minekichi Nishida (西田峯吉), p.16\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Exhibition: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe World of Kijishi Woodturners\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (木地屋の世界) — Kanagawa Prefectural Museum, p.23\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eRegular Meeting News, p.9\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e Nos. 291, 292 \u0026amp; 293, p.11\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eTetsunori Okuse and Zenji Satō — Disciples of Hidetarō Mori\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (奥瀬鉄則と佐藤善二―盛秀太郎の弟子達―), p.19\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eMembers’ Salon, p.20\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Articles and Literature, p.24\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi World News, p.25\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTokyo Kokeshi Tomo-no-kai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a long-established association bringing together collectors, researchers, craftsmen and enthusiasts devoted to traditional Japanese kokeshi. Its journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, documents individual makers, regional traditions, exhibitions, collecting activities, historical research and developments within the kokeshi community.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOlder issues such as this one are especially interesting as reference material, preserving names, personal recollections, festival records and information on craftsmen that can be difficult to find in modern sources. A charming vintage publication for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ekokeshi collectors, Japanese folk-art enthusiasts and researchers of traditional woodcraft\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58976497893707,"sku":"KT44","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_d60770c4-f71b-4e89-8783-b98182b4b51f.jpg?v=1792834855"},{"product_id":"kt45-kokeshi-techo-no-296-november-1985","title":"KT45 - Kokeshi Techō No. 296 — November 1985","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNovember 1985 (Shōwa 60)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 296\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), the specialist journal of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTokyo Kokeshi Tomo-no-kai (東京こけし友の会)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The cover illustration was created by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIkuo Okazaki (岡崎幾雄)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and features a highly stylized traditional kokeshi figure integrated with a bold red floral motif.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eThe Life and Kokeshi of Sakuma Torakichi II\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (佐久間虎吉（二代目）の経歴とこけし) — based on records from a kokeshi discussion meeting, p.2\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eRemembering Torakichi II\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (二代目虎吉さんを偲んで) — Toshikazu Takeda (武田利), p.3\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eA Visit to Zaō Onsen\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (蔵王温泉を訪ねて) — Iwako Hayashi (林岩子), p.5\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eOn the Kokeshi in “The World of Haiko”\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (『這子の世界』のこけしについて) — Masao Yada (矢田正生), p.7\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eOku no Hosomichi: A Journey with Kokeshi, Part 1\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (おくのほそ道・こけしの旅（1）) — Chōkichirō Shibata (柴田長吉郎), p.12\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eVisiting the National Kokeshi Festival\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (全国こけしまつりを訪ねて) — Shōji Tezuka (手塚正二), p.15\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003ePersonal Notes, Part 4\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (身辺雑記（4）) — Minekichi Nishida (西田峯吉), p.17\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, p.6\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eRegular Meeting News, p.9\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Distributed at the September Meeting, p.10\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSeptember Souvenir Kokeshi — Chikara Ōnuma (大沼力), p.14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eMembers’ Salon, p.23\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Articles and Literature, p.25\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi World News, p.26\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTokyo Kokeshi Tomo-no-kai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a long-established association devoted to the study, collecting and preservation of traditional Japanese kokeshi. Its journal \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e records craftsmen, regional lineages, historical research, exhibitions, collectors’ activities and personal recollections from within the kokeshi community.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis issue is particularly interesting for its material on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esecond-generation Sakuma Torakichi\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, together with articles on Zaō Onsen, the National Kokeshi Festival and a travel series inspired by \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eOku no Hosomichi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e. Vintage issues such as this have become valuable reference material for collectors and researchers, preserving information that is often difficult to locate in modern publications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58986504454475,"sku":"KT45","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_8eb06610-0750-493a-b232-cf0d4e1be5ed.jpg?v=1792920868"}],"url":"https:\/\/maisonkyo.be\/es\/collections\/kokeshi-techo.oembed?page=2","provider":"Maison Kyo","version":"1.0","type":"link"}