{"title":"Kokeshi Techō","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖) is the association’s specialist journal, written and compiled by experienced kokeshi collectors and researchers in Japan. Rather than being a general-interest magazine, it is primarily devoted to collecting, research, and historical documentation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"kt01-kokeshi-techo-no-373-april-1992","title":"KT01 - Kokeshi Techō No. 373 — April 1992 こけし手帖","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eApril 1992 (Heisei 4)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 373\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会).\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eIn Search of the Origins of the Kijishi Woodturners (Part II)\u003c\/em\u003e — Eiji Aida (会田栄治), p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eHistory of the Kawatsura Woodturning Industry\u003c\/em\u003e — Hisashi Sugimoto (杉本寿), p.10\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIntroduction to Kokeshi by Production Area: Yajirō and Shiroishi\u003c\/em\u003e — p.13\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMamiana Talks (III): The Instinct for Form\u003c\/em\u003e — Riichi Takeda (武田利一), p.19\u003c\/li\u003e\n\u003cli\u003eAnnouncement of Winners for the Regional Kokeshi Distribution — p.9\u003c\/li\u003e\n\u003cli\u003eFebruary Souvenir Kokeshi — Hiroshi Honda (本多洋), p.9\u003c\/li\u003e\n\u003cli\u003eReport from the February Regular Meeting — p.12\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the February Meeting — p.18\u003c\/li\u003e\n\u003cli\u003eNews from the Association Office — p.20\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.20\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.22\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.23\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eSize: 12.5 x 18cm\u003cbr\u003e26 pages\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407379566923,"sku":"KT01","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_77cec566-c6a6-4b6e-a06a-b2aeb8d3d07a.jpg?v=1788861601"},{"product_id":"kt02-kokeshi-techo-no-255-june-1982-こけし手帖","title":"KT02 - Kokeshi Techō No. 255 — June 1982 こけし手帖","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eJune 1982 (Shōwa 57)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 255\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会).\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eInago Hamlet and Woodturning (Part II)\u003c\/em\u003e — 後藤昭信, p.2\u003c\/li\u003e\n\u003cli\u003eCorrections to \u003cem\u003eKokeshi Techō\u003c\/em\u003e Issue No. 253 — p.6\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMichinoku Kokeshi Invited to Disneyland\u003c\/em\u003e — 舟山達, p.7\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.10\u003c\/li\u003e\n\u003cli\u003eCommentary: February Souvenir Kokeshi — 山崎一夫, p.11\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the March Regular Meeting — p.11\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Traditional System and Commercial Character of Kokeshi\u003c\/em\u003e — 柴田長吉郎, p.12\u003c\/li\u003e\n\u003cli\u003eList of Prize Winners from the 24th All-Japan Kokeshi Competition — p.15\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Traditional Character of Traditional Kokeshi\u003c\/em\u003e — 加川弘士, p.16\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMichinoku Shōgin (Short Verses from Michinoku)\u003c\/em\u003e — 郷武, p.18\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.19\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.22\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.25\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407401259339,"sku":"KT02","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_8dd31d08-d1f4-4012-a30d-dae2974ddcfd.jpg?v=1788861931"},{"product_id":"kt03-kokeshi-techo-no-256-july-1982-こけし手帖","title":"KT03 - Kokeshi Techō No. 256 — July 1982 こけし手帖","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eJuly 1982 (Shōwa 57)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 256\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会).\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eThe Kokeshi of Daigaku Horiguchi\u003c\/em\u003e — 菅野新一, p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMarch Souvenir Kokeshi: Shōji Sakurai (桜井昭二)\u003c\/em\u003e — 山崎一夫, p.6\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePortrait of a Craftsman: Takeji Yamao (山尾武治) of Akiu\u003c\/em\u003e — 柴田長吉郎, p.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eStories Heard from an Elder Craftsman: Memories of Chūzō Takahashi (高橋忠蔵)\u003c\/em\u003e — 松井貞夫, p.8\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the April Regular Meeting — p.12\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eVisiting Kyūtarō Kijiyama (木地山久太郎) After 28 Years\u003c\/em\u003e — 長沢貞介, p.13\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.14\u003c\/li\u003e\n\u003cli\u003eReport on the Spring Excursion — 武田利一, p.15\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOn the Family Structure of Aizu Kijishi Woodturners\u003c\/em\u003e — 渡辺格, p.20\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.22\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.24\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.25\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407430422859,"sku":"KT03","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_cb5c991e-1830-467b-9cbf-8cba764d640d.jpg?v=1788862138"},{"product_id":"kt04-kokeshi-techo-no-257-august-1982-こけし手帖","title":"KT04 - Kokeshi Techō No. 257 — August 1982 こけし手帖","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eAugust 1982 (Shōwa 57)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 257\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eTsunehiko Watanabe (渡辺恒彦)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eKokeshi as a Commercial Product (Part 1)\u003c\/em\u003e — 板倉勝高, p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Kokeshi of Kikue Takahashi (高橋きくえ)\u003c\/em\u003e — 佐治信太郎, p.6\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eCraftsman Recollections: Shōkichi Ōhara (大原正吉)\u003c\/em\u003e — 西一郎, p.8\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the May Regular Meeting — p.12\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMemories of Shōkichi Ōhara\u003c\/em\u003e — 山崎一夫, p.13\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Man of Few Words: Shōkichi Ōhara\u003c\/em\u003e — 柴田長吉郎, p.14\u003c\/li\u003e\n\u003cli\u003eBrief Chronology of Shōkichi Ōhara — p.16\u003c\/li\u003e\n\u003cli\u003eApril Souvenir Kokeshi — 柴田長吉郎, p.16\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMy Favourite Kokeshi\u003c\/em\u003e — 村上穆, p.17\u003c\/li\u003e\n\u003cli\u003eNotice for the Autumn 1982 Excursion — p.21\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLooking at Kokeshi\u003c\/em\u003e — 阿曽仁一, p.22\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.24\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.27\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.27\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407444250955,"sku":"KT04","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_849707a5-0b30-44e6-b3e5-274c669affb1.jpg?v=1788862314"},{"product_id":"kt05-kokeshi-techo-no-258-september-1982-こけし手帖","title":"KT05 - Kokeshi Techō No. 258 — September 1982 こけし手帖","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eSeptember 1982 (Shōwa 57)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 258\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eTsunehiko Watanabe (渡辺恒彦)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eKokeshi as a Commercial Product (Continued)\u003c\/em\u003e — Katsutaka Itakura (板倉勝高), p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Wooden Doll Ascends to Heaven\u003c\/em\u003e — Riichi Takeda (武田利一), p.10\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIn Memory of Yasuo Hisamatsu (久松保夫)\u003c\/em\u003e — Chōkichirō Shibata (柴田長吉郎), p.14\u003c\/li\u003e\n\u003cli\u003eSpecial Regional Distribution \u0026amp; Souvenir Kokeshi Set — p.15\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eRecord of a Visit to Shirakijō (白木城)\u003c\/em\u003e — Kensuke Kagaya (加賀谷憲介), p.16\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eParticipating in the Spring Excursion\u003c\/em\u003e — Tomoko Konno (紺野友子), p.18\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.20\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.24\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMy Favourite Kokeshi\u003c\/em\u003e — Yutaka Odagiri (小田切裕), p.25\u003c\/li\u003e\n\u003cli\u003eMay Souvenir Kokeshi — p.16\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.26\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.27\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407494517067,"sku":"KT05","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_ac0d18bc-f170-4fe6-8e83-9a40f01b128c.jpg?v=1788862579"},{"product_id":"kt06-kokeshi-techo-no-259-october-1982-こけし手帖","title":"KT06 - Kokeshi Techō No. 259 — October 1982 こけし手帖","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eOctober 1982 (Shōwa 57)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 259\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eTsunehiko Watanabe (渡辺恒彦)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eHistorical Changes in the Yokokawa Woodturning Industry (Part I)\u003c\/em\u003e — 菅野新一, p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eJune Souvenir Kokeshi\u003c\/em\u003e — 山崎一夫, p.6\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eChronology of 岡崎斉\u003c\/em\u003e — p.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIn Memory of the First Chairman\u003c\/em\u003e — 岡崎仁治, p.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eEulogy\u003c\/em\u003e — p.9\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFrom Heart to Heart\u003c\/em\u003e — 武田利一, p.9\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Gentle-Natured Man: Mr. 岡崎斉\u003c\/em\u003e — 柴田長吉郎, p.11\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eList of Prize Winners from the 28th National Kokeshi Festival\u003c\/em\u003e — p.13\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eNaruko Kokeshi Festival Report\u003c\/em\u003e — 山崎・柴田, p.14\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.17\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the June Regular Meeting — p.18\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.18\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.23\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Origins of Naruko Shrine and the Great Shōjō Sake Cup\u003c\/em\u003e — p.25\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.26\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407678705995,"sku":"KT06","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_f88e2f91-153d-434a-905b-b691a9ab7a9f.jpg?v=1788862949"},{"product_id":"kt07-kokeshi-techo-no-260-november-1982-こけし手帖","title":"KT07 - Kokeshi Techō No. 260 — November 1982 こけし手帖","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eNovember 1982 (Shōwa 57)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 260\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eTsunehiko Watanabe (渡辺恒彦)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eHistorical Changes in the Yokokawa Woodturning Industry (Part II)\u003c\/em\u003e — 菅野新一, p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eReviving “The Beauty of Kokeshi”\u003c\/em\u003e — 加川弘士, p.7\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the July Regular Meeting — p.9\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Rewards of the Trade\u003c\/em\u003e — 武田利一, p.10\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Role of Second-Hand Pieces in Kokeshi Collecting\u003c\/em\u003e — 山崎一夫, p.12\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.13\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKokeshi and Me\u003c\/em\u003e — 宇田川智恵子, p.14\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eJuly Souvenir Kokeshi: Satō Yoshiaki (佐藤慶明)\u003c\/em\u003e — 山崎一夫, p.15\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIn Memory of Kokeshi Craftsman Watanabe Hitoshi (渡辺等)\u003c\/em\u003e — 柴田長吉郎, p.16\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.17\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAbout the 30th Anniversary Events of the Tokyo Kokeshi Tomo-no-kai\u003c\/em\u003e — p.20\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.20\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.21\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407736934731,"sku":"KT07","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_3470fa26-8f28-4e98-a6f1-48fdd128e5d9.jpg?v=1788863217"},{"product_id":"kt08-kokeshi-techo-no-261-december-1982-こけし手帖","title":"KT08 - Kokeshi Techō No. 261 — December 1982 こけし手帖","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eDecember 1982 (Shōwa 57)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 261\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eTsunehiko Watanabe (渡辺恒彦)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eRevival of the Sakunami Lineage: Genealogy of Sakunami–Yamagata Kokeshi\u003c\/em\u003e — 柴田長吉郎, p.2\u003c\/li\u003e\n\u003cli\u003eNotice of Membership Fee Revision — p.5\u003c\/li\u003e\n\u003cli\u003eBrief Chronology of Okazaki Saikichi (岡崎斉吉) — p.6\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIn Memory of Okazaki Saikichi — Excerpts from a Memorial Address\u003c\/em\u003e — 寺坂二男, p.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAbout My Master, Okazaki Saikichi\u003c\/em\u003e — 工藤忠二, p.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Encounter Between Sai-san and Saikichi-san\u003c\/em\u003e — 原田尚信, p.10\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the September Regular Meeting — p.12\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKokeshi and Me, Continued\u003c\/em\u003e — 宇田川智恵子, p.13\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.15\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSeptember Souvenir Kokeshi: Kobayashi Seijirō (小林清次郎)\u003c\/em\u003e — 山崎一夫, p.16\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAdditional Notes on the 2nd Exhibition of Kokeshi Craftsmen in Their Forties\u003c\/em\u003e — 鈴木円乗, p.16\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.18\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.20\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407759085899,"sku":"KT08","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_c956fe32-6fa8-4879-bc0f-04d730d5fdde.jpg?v=1788863409"},{"product_id":"kt09-kokeshi-techo-no-262-january-1983-こけし手帖","title":"KT09 - Kokeshi Techō No. 262 — January 1983 こけし手帖","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eJanuary 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 262\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eTatsuo Satō (佐藤辰雄)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eOutlook for the New Year: The 30th Anniversary Commemorative Events and More\u003c\/em\u003e — Minekichi Nishida (西田峯吉), p.2\u003c\/li\u003e\n\u003cli\u003eNotice concerning Yasuo Hisamatsu’s (久松保夫) \u003cem\u003eThe World of Kokeshi\u003c\/em\u003e — p.5\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Niiyama Main Family of Yajirō Village (Part I): Life During the Feudal Domain Period\u003c\/em\u003e — Akinobu Gotō (後藤昭信), p.6\u003c\/li\u003e\n\u003cli\u003eOctober Souvenir Kokeshi — Kazuo Yamazaki (山崎一夫), p.11\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eWoodturners of Burma and Thailand\u003c\/em\u003e — Tamio Kaneko (金子民雄), p.12\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.16\u003c\/li\u003e\n\u003cli\u003eKokeshi Questions and Answers — p.17\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eRecord of the Autumn Excursion\u003c\/em\u003e — Shintarō Saji (佐治信太郎), p.18\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.21\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.24\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.26\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407796834635,"sku":"KT09","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_5f4aa569-d7b8-47d3-b70b-ed4848ea69f1.jpg?v=1788863712"},{"product_id":"kt10-kokeshi-techo-no-263-february-1983-こけし手帖","title":"KT10 - Kokeshi Techō No. 263 — February 1983 こけし手帖","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eFebruary 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 263\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eTatsuo Satō (佐藤辰雄)\u003c\/strong\u003e.\u003cbr\u003e\u003cem\u003eNote: the cover is printed “Shōwa 58, March issue,” while the internal masthead and publication notice identify it as the February 1983 issue.\u003c\/em\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eThe Niiyama Main Family of Yajirō Village (Part II): Life During the Feudal Domain Period\u003c\/em\u003e — Akinobu Gotō (後藤昭信), p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eNovember Souvenir Kokeshi: Masahiro Satomi (里見正博)\u003c\/em\u003e — Kazuo Yamazaki (山崎一夫), p.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Hyōboku-kai and Kokeshi\u003c\/em\u003e — 穆 Murakami (村上穆), p.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOmokage (Excerpts): A Collection of Poems by Genkichi Saitō (斎藤源吉)\u003c\/em\u003e — Keizō Yoshida (吉田慶三), p.10\u003c\/li\u003e\n\u003cli\u003eNews from Kokeshi Associations — p.15\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOn a Certain Way of Looking at Kokeshi\u003c\/em\u003e — Akihito Aida (会田章人), p.16\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTsugaru Shamisen and Songs of Tsugaru\u003c\/em\u003e — p.18\u003c\/li\u003e\n\u003cli\u003eNotice of the Spring 1983 Excursion — p.19\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eNiiyama Kyūji (新山久治), Younger Brother of a Kokeshi Craftsman\u003c\/em\u003e — Chōkichirō Shibata (柴田長吉郎), p.20\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.21\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.24\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.25\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407868301643,"sku":"KT10","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_0492cc1b-d7a2-4103-bd6e-eedee84654de.jpg?v=1788864441"},{"product_id":"kt11-kokeshi-techo-no-264-march-1983-こけし手帖","title":"KT11 - Kokeshi Techō No. 264 — March 1983 こけし手帖","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eMarch 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 264\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eTatsuo Satō (佐藤辰雄)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eThe Niiyama Main Family of Yajirō Village (Part III): Life During the Feudal Domain Period\u003c\/em\u003e — Akinobu Gotō (後藤昭信), p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDecember Souvenir Kokeshi: Masahiro Satō (佐藤正広)\u003c\/em\u003e — Kazuo Yamazaki (山崎一夫), p.9\u003c\/li\u003e\n\u003cli\u003eReport from the Regular Meeting — p.9\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTouring the New Year Kokeshi Exhibitions\u003c\/em\u003e — Shizuo Yao (八尾鎮雄), p.10\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMy Favourite Kokeshi\u003c\/em\u003e — Hiroshi Matsushima (松島寛), p.15\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.17\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOral Recollections of Nobuo Honda (本多信夫)\u003c\/em\u003e — p.21\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.22\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407917322571,"sku":"KT11","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_edcf8bd6-3bd3-4c90-b35b-fc9868930fb9.jpg?v=1788865063"},{"product_id":"kt12-kokeshi-techo-no-265-april-1983-こけし手帖","title":"KT12 - Kokeshi Techō No. 265 — April 1983 こけし手帖","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in \u003cstrong\u003eApril 1983 (Shōwa 58)\u003c\/strong\u003e, this is \u003cstrong\u003eIssue No. 265\u003c\/strong\u003e of \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003cstrong\u003eTatsuo Satō (佐藤辰雄)\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eThe Akiu Woodturning Industry and Kokeshi (Part I)\u003c\/em\u003e — Gorō Takahashi (高橋五郎), p.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBrief Chronology of Kenzaburō Ōnuma (大沼健三郎)\u003c\/em\u003e — p.5\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMemories of Kenzaburō Ōnuma\u003c\/em\u003e — Yaeko Asaga (浅賀八重子), p.6\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eJanuary Souvenir Kokeshi: Kazunori Jinnohara (陳野原和紀) and Tadao Satō (佐藤忠雄)\u003c\/em\u003e — Chōkichirō Shibata (柴田長吉郎), p.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIf I Were a Kokeshi Craftsman\u003c\/em\u003e — Kazuo Ogawa (小川一雄), p.9\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Kokeshi Discussion Group and a Chronology of Chūzō Takahashi (高橋忠蔵)\u003c\/em\u003e — 村上穆, p.12\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eRegular Meeting Report: Highlights of the New Year Meeting\u003c\/em\u003e — Riichi Takeda (武田利一), p.16\u003c\/li\u003e\n\u003cli\u003eKokeshi Distributed at the New Year Regular Meeting — p.18\u003c\/li\u003e\n\u003cli\u003eList of Prize Winners from the 2nd Michinoku Kokeshi Festival — p.20\u003c\/li\u003e\n\u003cli\u003eMembers’ Salon — p.21\u003c\/li\u003e\n\u003cli\u003eKokeshi Articles and Literature — p.24\u003c\/li\u003e\n\u003cli\u003eNews from the Kokeshi World — p.26\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/p\u003e\n\u003cp\u003eIts journal, \u003cem\u003eKokeshi Techō\u003c\/em\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58407936000331,"sku":"KT12","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_8685125b-e856-42b1-994a-88fc690938ad.jpg?v=1788865296"}],"url":"https:\/\/maisonkyo.be\/de\/collections\/kokeshi-techo.oembed","provider":"Maison Kyo","version":"1.0","type":"link"}