{"title":"New Arrivals","description":"\u003cp\u003eDiscover our latest additions — fresh pieces added this week.\u003c\/p\u003e","products":[{"product_id":"ft534-rat-zodiac-ornament-by-seizan-gama-蜻山窯","title":"FT534 - Rat zodiac ornament by Seizan-gama 蜻山窯","description":"\u003cp\u003eThis charming Year of the Rat (子 \/ Ne) zodiac ornament by Seizan-gama (蜻山窯) embodies the quiet elegance and gentle symbolism of Japanese New Year folk ceramics.\u003c\/p\u003e\n\u003cp\u003eRendered in a beautifully minimalist style, the rat is formed with soft rounded contours and a matte red finish that gives the piece a serene, almost moonlike presence. Its simple silhouette is accented with delicate gold-painted ears and eyes, while the red character “福” (fuku – good fortune) on the hindquarters adds an auspicious touch associated with happiness, prosperity, and blessings for the coming year.\u003c\/p\u003e\n\u003cp\u003eIn the Japanese zodiac, the rat is the first of the twelve animals and symbolizes wisdom, resourcefulness, fertility, and new beginnings. Because of this, rat-themed eto ornaments are traditionally displayed to invite fresh opportunities and good fortune into the household at the start of a new cycle.\u003c\/p\u003e\n\u003cp\u003eSize: 7 x 3 x 6cm\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58067668074827,"sku":"FT534","price":6.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_2b2140e4-000c-4dbb-9c34-33487208d489.jpg?v=1786094278"},{"product_id":"k30089-shingata-kokeshi-by-tadashi-iwasaki-岩崎忠","title":"K18175 - Shingata Kokeshi by Tadashi Iwasaki 岩崎忠","description":"\u003cp\u003eThis Shingata Kokeshi was created by Tadashi Iwasaki 岩崎忠, a respected Shōwa-period kokeshi craftsman known for working across both traditional and more freely interpreted modern forms.\u003c\/p\u003e\n\u003cp\u003eThe most striking feature is the bold floral decoration covering the body. Large blossoms in warm shades of russet, orange and muted red are balanced by sweeping leaves and stems, creating a strong graphic contrast against the natural wood. \u003c\/p\u003e\n\u003cp\u003eIwasaki was known for his versatility. While his work was rooted in the traditions of Yamagata kokeshi, he also embraced the freer language of Shingata and creative kokeshi, experimenting with proportion, decorative motifs and more expressive surface painting.\u003c\/p\u003e\n\u003cp\u003eTadashi Iwasaki active primarily during the Shōwa period, Tadashi Iwasaki received recognition for his craftsmanship at national kokeshi exhibitions, including the Fukushima Chamber of Commerce and Industry President’s Award at the All Japan Kokeshi Contest.\u003c\/p\u003e\n\u003cp\u003eAmong his better-known works is “Haru wo Matsu Kodomo” (春を待つ子供, Children Waiting for Spring), and he also produced themed works inspired by Japanese landscapes, travel and literary culture, including figures connected with Matsuo Bashō and Matsushima.\u003c\/p\u003e\n\u003cp\u003eSize: 6 x 6 x 18cm\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/maisonkyo.be\/search?q=%E5%B2%A9%E5%B4%8E%E5%BF%A0\u0026amp;options%5Bprefix%5D=last\"\u003e\u003cstrong\u003eMore works by Tadashi Iwasaki 岩崎忠\u003c\/strong\u003e\u003c\/a\u003e\u003c\/h3\u003e","brand":"Maison Kyo","offers":[{"title":"≈18cm","offer_id":58253702660427,"sku":"K18175","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_9661392c-d9bf-4ae1-a371-30fed47a79fa.jpg?v=1787695432"},{"product_id":"k30090-togatta-kokeshi-by-satoshi-sugawara-菅原敏","title":"K30090 - Togatta Kokeshi by Satoshi Sugawara 菅原敏","description":"\u003cp\u003eA striking traditional Togatta-system kokeshi by Satoshi Sugawara (菅原敏, 1937–1992), a Miyagi Prefecture kokeshi craftsman who inherited the tradition of his father, Shoshichi Sugawara (菅原庄七).\u003c\/p\u003e\n\u003cp\u003eThis beautiful example has the distinctive, expressive character associated with Sugawara’s work. The doll features a large rounded head with finely painted closed eyes and a small delicate mouth, framed by bold black side hair and rhythmic red brushwork radiating around the crown. \u003c\/p\u003e\n\u003cp\u003eSugawara was born on October 3, 1937, in Akiu, Miyagi Prefecture, as the eldest son of kokeshi craftsman Shoshichi Sugawara. After finishing junior high school in 1954 and briefly working in other trades, he began assisting his father around 1955 and released his first kokeshi in 1956.\u003c\/p\u003e\n\u003cp\u003eHis mature works are admired for their powerful facial expressions, assured brushwork and strong balance between painted decoration and turned wooden form. In later decades his style became increasingly individualistic, with more unusual and exaggerated expressions that make his dolls readily recognizable to collectors.\u003c\/p\u003e\n\u003cp\u003eSugawara continued producing kokeshi until declining health greatly reduced his output in his later years. He died in 1992 at only 54 years old, leaving behind a relatively limited body of work spanning several important decades of post-war traditional kokeshi making.\u003c\/p\u003e\n\u003cp\u003eSize: 9 x 9 x 30cm\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"≈30cm","offer_id":58316585828683,"sku":"K30090","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_ae4f6507-d13f-4c01-8667-088976762cbe.jpg?v=1788203102"},{"product_id":"ft618-hakata-doll-ogi-ma-扇舞-博多人形","title":"FT618 -  Hakata Doll Ōgi Ma 扇舞 博多人形","description":"\u003cp\u003eA charming vintage Japanese Hakata Doll (博多人形) titled 扇舞 (Ōgi Mai), meaning Fan Dance, depicting a graceful young woman performing a traditional Japanese dance with a folding fan.\u003c\/p\u003e\n\u003cp\u003eThe doll features a delicate, youthful face with expressive eyes, softly blushed cheeks, and long, flowing white hair adorned with small pink ornaments. She wears an elegant white kimono decorated with delicate pink blossoms and slender branches, complemented by soft coral-pink edging and a touch of green at the sleeve.\u003c\/p\u003e\n\u003cp\u003eHeld gracefully in front of her is a golden folding fan decorated with colourful motifs, capturing the refined gestures and gentle movement of traditional Japanese fan dancing.\u003c\/p\u003e\n\u003cp\u003eHakata dolls (博多人形) are a celebrated form of Japanese traditional craftsmanship originating from Fukuoka, Kyushu. Traditionally made from unglazed clay and carefully hand-painted, these figurines are admired for their delicate facial expressions, elegant forms, and detailed representations of Japanese culture, particularly beautiful women (bijin), theatrical performers, and historical characters.\u003c\/p\u003e\n\u003cp\u003eThe title Ōgi Mai (扇舞) refers to a traditional fan dance, in which the folding fan becomes an expressive extension of the dancer's movements, symbolising grace, beauty, and artistic refinement.\u003c\/p\u003e\n\u003cp\u003eThe figurine comes with a black display base and its original cardboard storage box, which bears a label identifying the piece as 扇舞.\u003c\/p\u003e\n\u003cp\u003eA beautiful example of Japanese decorative folk art, ideal for collectors of Hakata dolls, traditional Japanese dance memorabilia, and vintage Japanese craftsmanship.\u003c\/p\u003e\n\u003cp\u003eSize: 13 x 8 x 21cm (Doll)\u003cbr\u003e14 x 9cm (Base)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58898558058827,"sku":"FT618","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_88a4f75e-04f9-4a23-ac84-9405d7a470c1.jpg?v=1792401027"},{"product_id":"ft619-tokoname-ware-rat-zodiac-figurine-set-常滑焼","title":"FT619 - Tokoname Ware Rat Zodiac Figurine Set  常滑焼","description":"\u003cp\u003eA vintage zodiac figurine set featuring two stylised rats, crafted in Tokoname ware (常滑焼), one of Japan’s Six Ancient Kilns (Rokkoyō).\u003c\/p\u003e\n\u003cp\u003eThe set consists of a larger and a smaller rat, both finished in an elegant pearlescent white with a subtle silvery sheen. Their rounded bodies, oversized circular ears, pointed noses, and tiny red eyes create a playful yet minimalist appearance. The smooth, sculptural forms give these traditional zodiac ornaments a distinctly modern aesthetic.\u003c\/p\u003e\n\u003cp\u003eTokoname ware (常滑焼) originates from Tokoname in Aichi Prefecture, a historic pottery centre with a ceramic tradition dating back to the Heian period. Although particularly celebrated for its unglazed red clay teapots, Tokoname also produces a wide variety of decorative ceramics and traditional folk crafts.\u003c\/p\u003e\n\u003cp\u003eIn the Japanese zodiac, the Rat (子, Ne) is the first of the twelve animals and symbolises intelligence, resourcefulness, prosperity, and new beginnings. Traditionally displayed during the corresponding zodiac year, these figurines are considered auspicious ornaments, expressing wishes for happiness and good fortune.\u003c\/p\u003e\n\u003cp\u003eThis set comes with its original presentation box, marked 高級陶器 (High-Quality Ceramics) and とこなめ焼 (Tokoname Ware), along with an original leaflet explaining the origins and cultural significance of the twelve zodiac animals.\u003c\/p\u003e\n\u003cp\u003eA delightful example of Japanese vintage decorative ceramics, perfect for collectors of eto (干支) zodiac ornaments, Japanese folk crafts, or minimalist animal sculptures.\u003c\/p\u003e\n\u003cp\u003eSize: 8 x 6 x 10cm (S)\u003cbr\u003e16 x 8 x 18cm (L)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58902298263883,"sku":"FT619","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_4dec1245-e861-42fe-b416-7685f917552f.jpg?v=1792421867"},{"product_id":"tc153-karakane-kensui-metal-waste-water-bowl-建水","title":"TC153 - Karakane Kensui Metal Waste Water Bowl 建水","description":"\u003cp\u003eA vintage Japanese Kensui (建水), a traditional waste water bowl used in the Japanese tea ceremony (Chadō). Crafted from metal in the style of Karakane (唐銅), a traditional copper-alloy material associated with Japanese tea utensils, this piece features a beautifully understated dark bronze-toned finish.\u003c\/p\u003e\n\u003cp\u003eThe bowl has a simple, rounded form with a wide opening, gently curved sides, and a subtly raised rim. Its smooth surface and muted metallic tones reflect the restrained elegance of Japanese tea ceremony aesthetics, where functionality, simplicity, and craftsmanship are deeply appreciated.\u003c\/p\u003e\n\u003cp\u003eIn the Japanese tea ceremony, a Kensui serves as a receptacle for discarded water during the preparation of matcha. It is an essential utensil used by the tea practitioner to maintain cleanliness and order throughout the ceremony. Traditionally made from materials such as copper alloys, ceramics, or lacquerware, Kensui bowls come in various forms depending on the tea tradition and seasonal setting.\u003c\/p\u003e\n\u003cp\u003eBeyond its traditional function, this vintage bowl can also be appreciated as a decorative Japanese metalwork object, bringing a quiet sense of wabi-sabi to a tea room or interior.\u003c\/p\u003e\n\u003cp\u003eSize: 14 x 14 x 5cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58905913557323,"sku":"TC153","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_40139684-ec06-40db-9bc5-7482bf1ad1e7.jpg?v=1792437332"},{"product_id":"tb456-lidded-porcelain-container-from-odagama-kiln-小田窯","title":"TB456 - Lidded porcelain container from Odagama Kiln 小田窯","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLidded porcelain container from Odagama Kiln (小田窯) represents the refined craftsmanship of Mino-yaki (美濃焼) — one of Japan’s most esteemed pottery traditions. Expertly crafted in fine white porcelain, the piece features a delicate hand-painted motif of grape vines in deep indigo blue, a classic design that symbolizes abundance and prosperity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe smooth glaze and minimalistic blue line accents highlight the natural purity of the clay, giving it a serene and timeless aesthetic. Perfect for use as a tea caddy, condiment holder, or small trinket box, this versatile lidded dish blends traditional Japanese artistry with modern simplicity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece embodies the quiet beauty and refined craftsmanship for which Mino-yaki is renowned — a perfect addition to any Japanese tea setting or as a thoughtful gift for collectors of fine ceramics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Size: 15 x 15 x 6cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58911855477067,"sku":"TB456","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_352540aa-de80-4e1a-98ae-c0a68065dc3a.jpg?v=1792488138"},{"product_id":"ft620-sanbaso-dancer-clay-doll-kuzubata-葛畑土人形","title":"FT620 - Sanbasō Dancer Clay Doll – Kuzubata 葛畑土人形","description":"\u003cp\u003eThis folk clay doll depicts Sanbasō (三番叟), a traditional ceremonial dancer associated with good fortune, prosperity, longevity, and abundant harvests. The figure is reminiscent of Kuzubata clay dolls (葛畑土人形), a regional folk craft originating from Hyogo Prefecture, Japan.\u003c\/p\u003e\n\u003cp\u003eThe dancer is portrayed in a lively, expressive pose, dressed in a vivid cobalt-blue robe decorated with delicate golden-brown lines and yellow accents. His smiling white face is crowned with a tall black ceremonial hat, while one hand holds a ritual bell and the other rests near a white fan. \u003c\/p\u003e\n\u003cp\u003eSanbasō (三番叟) is a traditional dance performed in Japanese Noh and celebratory theatrical rituals, particularly as part of Okina. The dance is closely connected with prayers for fertility, agricultural abundance, peace, and prosperity. Sanbasō figures have long been appreciated as auspicious decorations, especially during New Year celebrations.\u003c\/p\u003e\n\u003cp\u003eKuzubata clay dolls (葛畑土人形) are traditional handmade folk figurines associated with the Kuzubata area of Yabu in Hyogo Prefecture. Made from moulded clay and decorated with colourful hand-painted details, these dolls reflect the warmth, simplicity, and regional character of Japanese mingei (folk art). Their subjects often include theatrical performers, auspicious figures, and characters from Japanese folklore.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSize: 8 x 5 x 15cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58914138259787,"sku":"FT620","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_2f2a49a5-5a79-4eb3-aa7a-7054a5009209.jpg?v=1792497839"},{"product_id":"k35038-shingata-kokeshi-by-hideko-takahashi-高橋英子","title":"K35038 - Shingata Kokeshi by Hideko Takahashi 高橋英子","description":"\u003cp\u003eThis Shingata Kokeshi by Hideko Takahashi (高橋英子), a Japanese kokeshi artisan known for her distinctive wooden doll designs, expressive forms, and delicate hand-painted decorations.\u003c\/p\u003e\n\u003cp\u003eThe doll features a generously rounded, slightly squared head with a gentle, smiling expression. Its delicately painted face is characterised by gracefully arched eyebrows, narrow eyes, a tiny red mouth, and traditional black hair adorned with vibrant red decorative brushstrokes\u003c\/p\u003e\n\u003cp\u003eHideko Takahashi is recognised for her creative approach to Shingata Kokeshi, a modern interpretation of traditional Japanese wooden dolls that allows artisans greater freedom in shape, decoration, and artistic expression.\u003c\/p\u003e\n\u003cp\u003eHer works are particularly appreciated for their distinctive head profiles, which often depart from the strictly rounded forms of traditional kokeshi. Her designs frequently combine expressive facial features with carefully arranged floral patterns and an earthy colour palette inspired by Japanese folk art and the Mingei aesthetic.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSize: 10 x 10 x 35cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"≈35cm","offer_id":58915749560651,"sku":"K35038","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_a66b3b81-c446-49f5-9d16-2baba7705987.jpg?v=1792503327"},{"product_id":"tc154-kyo-ware-daruma-chawan-matcha-bowl-京焼","title":"TC154 - Kyō Ware Daruma Chawan Matcha Bowl 京焼","description":"\u003cp\u003eA Kyō ware (京焼) chawan, featuring a bold, hand-painted Daruma face and the inspirational proverb Shichiten Hakki, meaning “Fall seven times, rise eight.”\u003c\/p\u003e\n\u003cp\u003eCrafted in the tradition of Kyoto ceramics, this matcha bowl features a warm ivory-coloured glaze with delicate natural speckling and subtle crackle-like textures. Its gently flared shape, rounded body, and balanced foot create a simple yet elegant silhouette, reflecting the understated beauty of Japanese tea culture.\u003c\/p\u003e\n\u003cp\u003eThe exterior is decorated with expressive indigo-blue brushwork depicting Daruma (達磨), the legendary Buddhist monk Bodhidharma, recognised by his fierce eyebrows, distinctive facial features, and determined expression. \u003c\/p\u003e\n\u003cp\u003e“Seven falls, eight rises,” represents perseverance, resilience, and the determination to overcome life's challenges.\u003c\/p\u003e\n\u003cp\u003eDaruma is one of Japan's most beloved symbols of good fortune and unwavering determination. Inspired by Bodhidharma, the founder traditionally associated with Zen Buddhism, Daruma figures are often given as gifts to encourage success, personal growth, and the achievement of one's goals.\u003c\/p\u003e\n\u003cp\u003eThe combination of Daruma's expressive face and this meaningful proverb transforms the chawan into more than a tea vessel — it becomes a gentle reminder to remain steadfast and rise again after every setback.\u003c\/p\u003e\n\u003cp\u003eSize: 13 x 13 x 7cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58918163448139,"sku":"TC154","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_a1509f46-b3ea-449d-a690-0fab6a6332b1.jpg?v=1792513550"},{"product_id":"shp407-shikishi-calligraphy-by-miyako-美弥子","title":"SHP407 - Shikishi Calligraphy by Miyako 美弥子","description":"\u003cp\u003eA refined original Japanese shikishi calligraphy artwork featuring the two-character expression:「耳順」 (Jijun)\u003c\/p\u003e\n\u003cp\u003eThe phrase comes from the Confucian Analects (論語) and is traditionally associated with the age of sixty. Confucius famously described the stages of his life, saying that at sixty:\u003cbr\u003e“My ear was attuned.” It means reaching a stage of maturity where one can listen to different opinions, criticism, and the words of others without becoming disturbed or resistant.\u003c\/p\u003e\n\u003cp\u003eThe two characters are written in strong, deliberate black brushstrokes, with a restrained composition that allows the meaning of the words to remain the central focus. The simplicity of the design gives the work a quiet dignity well suited to the philosophical nature of the phrase.\u003c\/p\u003e\n\u003cp\u003eA meaningful piece for collectors of Japanese calligraphy, Confucian philosophy, kanreki and longevity-related art, original shikishi, or works centred on wisdom and maturity.\u003c\/p\u003e\n\u003cp\u003eSize: 24 x 27cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58921064071499,"sku":"SHP407","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_0811600f-0f93-4928-a8c1-51a973e66763.jpg?v=1792521188"},{"product_id":"k35039-togatta-by-kohei-takahashi-高橋広平","title":"K35039 - Togatta by Kohei Takahashi 高橋広平","description":"\u003cp\u003eThis is a Togatta-style kokeshi crafted by Kohei Takahashi (高橋広平, 1928–2006), a skilled artisan from the Togatta region of Miyagi Prefecture—one of the most historic centers of traditional kokeshi production.\u003c\/p\u003e\n\u003cp\u003eThe head is slightly larger in proportion to the body, with sharply defined black side-parted bangs and delicate facial features rendered in fine brushstrokes—conveying a sense of quiet calm and introspection. \u003c\/p\u003e\n\u003cp\u003eKohei Takahashi (高橋広平, 1928–2006) born on August 25, 1928 in Togatta Onsen, Miyagi Prefecture, Kohei Takahashi was the eldest son of woodcarver Takahashi Rinpei. Originally registered as Takahashi Hirohei, he began handling the potter’s wheel from a young age at Kitaoka Woodworks, under the guidance of his father and the renowned craftsman Sato Hiroki. By the time he finished elementary school in 1943, Kohei was already crafting traditional kokeshi. \u003c\/p\u003e\n\u003cp\u003eAfter completing studies at the Agriculture and Forestry School in 1946, Kohei worked briefly in other trades before fully returning to woodcraft in 1951. By 1953, he had launched his own workshop producing both traditional and creative-style kokeshi, along with toys. He trained several others, including Sato Kesakichi, and in 1968 installed a potter's wheel at home to focus on older-style kokeshi. He also held leadership roles, such as chairing the Togatta Onsen Kokeshi Association. Kohei continued producing kokeshi and mentoring future artisans—including his own son, Hironori Takahashi—until his death on December 5, 2006, at the age of 79.\u003c\/p\u003e\n\u003cp\u003eSize: 9 x 9 x 36cm\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/maisonkyo.be\/search?q=%E9%AB%98%E6%A9%8B%E5%BA%83%E5%B9%B3\u0026amp;options%5Bprefix%5D=last\"\u003e\u003cspan\u003e\u003cstrong\u003eMore works by Kohei Takahashi 高橋広平\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"≈35cm","offer_id":58930122817867,"sku":"K35039","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_8f57ec40-4ba7-4d3c-9002-f67d7a7dfecc.jpg?v=1792565044"},{"product_id":"tb457-tamba-tachikui-ware-sake-set-立杭焼","title":"TB457 - Tamba Tachikui Ware Sake Set 立杭焼","description":"\u003cp\u003eVintage item, never used. A Japanese sake set crafted in the tradition of Tamba Tachikui Ware (丹波立杭焼), one of Japan's most celebrated traditional pottery styles, originating from Hyogo Prefecture.\u003c\/p\u003e\n\u003cp\u003eThis elegant set consists of two sake bottles (tokkuri 徳利) and five matching sake cups (guinomi ぐい呑み), presented with its original blue storage box.\u003c\/p\u003e\n\u003cp\u003eThe pieces feature a rich, earthy reddish-brown clay body, beautifully contrasted with a textured grey-green ash-like glaze. The glaze flows naturally across the surfaces, creating delicate speckled patterns and organic variations that highlight the rustic beauty of Japanese ceramics. The sake bottles have graceful, rounded bodies with narrow necks and gently flared openings, while the matching cups feature simple cylindrical shapes with softly irregular glazed finishes.\u003c\/p\u003e\n\u003cp\u003eTamba Tachikui Ware (丹波立杭焼) is produced in the Tamba region of Hyogo Prefecture and belongs to Japan's Six Ancient Kilns (日本六古窯), a group of historic pottery centres with centuries of ceramic tradition. Tamba pottery is particularly admired for its earthy clay tones, natural glazing effects, and understated elegance, embodying the Japanese aesthetic of wabi-sabi — an appreciation of simplicity, natural materials, and imperfection.\u003c\/p\u003e\n\u003cp\u003eTraditionally associated with everyday vessels such as jars, bowls, and sake containers, Tamba ware reflects the enduring craftsmanship of Japanese folk pottery (mingei).\u003c\/p\u003e\n\u003cp\u003eWith its harmonious colours, organic textures, and timeless design, this vintage sake set is both a functional piece of Japanese tableware and a beautiful example of traditional ceramic craftsmanship.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSize: 7 x 7 x 17cm (Bottle)\u003cbr\u003e5 x 5 x 4cm (Cup)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58932584055115,"sku":"TB457","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_c03b98a3-6cde-4b6c-9973-56a5f15b6595.jpg?v=1792570101"},{"product_id":"kt41-kokeshi-techo-no-293-august-1985","title":"KT41 - Kokeshi Techō No. 293 — August 1985","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAugust 1985 (Shōwa 60)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 293\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover artwork by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIkuo Okazaki (岡崎幾雄)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eThe Tragic Prince Koretaka and His Background (Continued)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Itō (伊藤和雄), p.2 \u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eContinuation of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eVisiting Prince Koretaka in Western Sagami\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eTouring Sites Associated with the Prince Koretaka Tradition in Eastern Ōmi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Hiroshi Okita (沖田浩), p.6 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Regular Meeting — p.10 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAnnouncement of the Autumn 1985 Excursion — p.11 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eJune Souvenir Kokeshi: Shōgo Ogura (小椋正吾)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.11 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Distributed at the June Regular Meeting — p.12 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eMemories of the Kokeshi of Zenji Satō (佐藤善二)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Chōkichirō Shibata (柴田長吉郎), p.14 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003eThe Christ in Our Home\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Riichi Takeda (武田利一), p.16 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Minekichi Nishida (西田峯吉), p.19 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMembers’ Salon — p.21 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSpecial Regional Distribution: Souvenir Kokeshi Set — p.22 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKokeshi Articles and Literature — p.24 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNews from the Kokeshi World — p.25\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58936784159051,"sku":"KT41","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_95275b3d-20aa-4abf-821f-e20440b7ab05.jpg?v=1792575805"},{"product_id":"bk71-japanese-tea-ceremony-book-花入-水指","title":"BK71 - Japanese Tea Ceremony Book 花入・水指","description":"\u003cp\u003eThis vintage Japanese reference book, “Hanaiire \/ Mizusashi” (花入・水指), is part of the celebrated Chanoyu Annai (茶の湯案内, Guide to the Japanese Tea Ceremony) series, Volume 4. Written by renowned Japanese tea ceremony and ceramics scholar Taka Akanuma (赤沼多佳), it explores the history, craftsmanship, and aesthetic significance of two essential utensils in the traditional Japanese tea ceremony.\u003c\/p\u003e\n\u003cp\u003eThe book focuses on Hanaiire (花入), flower containers used to display seasonal arrangements during tea gatherings, and Mizusashi (水指), freshwater jars used to hold the clean water required for preparing matcha. Both objects play important roles in the tea ceremony, reflecting the Japanese appreciation for simplicity, natural beauty, and the philosophy of wabi-sabi.\u003c\/p\u003e\n\u003cp\u003eFeaturing high-quality photographs of 78 distinguished examples, including masterpieces preserved in Japanese museums and collections, the book examines their various forms, materials, historical development, and artistic characteristics. Detailed commentary provides valuable insights into traditional Japanese ceramics, metalwork, and the cultural significance of tea utensils.\u003c\/p\u003e\n\u003cp\u003eTaka Akanuma (赤沼多佳) born in 1943, Taka Akanuma is a respected Japanese scholar specializing in tea ceremony utensils and traditional ceramics. She formerly served as chief curator of the Chado Research Center Gallery and as a consultant to the Mitsui Memorial Museum. Her extensive knowledge of Japanese tea culture and decorative arts has contributed significantly to the study and appreciation of historical tea utensils.\u003c\/p\u003e\n\u003cp\u003eA fascinating reference for collectors of Japanese ceramics, practitioners of Chadō (the Way of Tea), and enthusiasts of traditional Japanese craftsmanship. This beautifully illustrated vintage publication offers an opportunity to explore the refined world of Japanese tea culture through exceptional historical objects.\u003c\/p\u003e\n\u003cp\u003eSize: 13 x 19cm\u003cbr\u003e202 pages\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58941503930699,"sku":"BK71","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_614baafc-8837-4461-9fe9-4a47ac481a46.jpg?v=1792584317"},{"product_id":"k40003-togatta-kokeshi-by-tadashi-sato-佐藤忠","title":"K40003 - Tōgatta Kokeshi by Tadashi Sato 佐藤忠","description":"\u003cp\u003eA vintage Tōgatta Kokeshi by Tadashi Sato (佐藤忠), a traditional kokeshi artisan from Miyagi Prefecture, Japan.\u003c\/p\u003e\n\u003cp\u003eThis elegant wooden doll features a large, rounded head with delicately painted black hair, expressive arched eyebrows, gentle eyes, and a tiny red mouth. Its slender cylindrical body is decorated with five beautifully arranged red chrysanthemum motifs (菊模様), creating a harmonious and rhythmic floral pattern.\u003c\/p\u003e\n\u003cp\u003eThe warm natural wood, softly faded crimson pigments, and graceful brushwork reflect the timeless beauty of the traditional Tōgatta kokeshi style. Its understated simplicity and peaceful expression give the piece a particularly charming character.\u003c\/p\u003e\n\u003cp\u003eTadashi born on April 14, 1932, in Aone Onsen, Kawasaki, Miyagi Prefecture, Tadashi Sato dedicated much of his life to preserving the traditional craftsmanship of Tōgatta kokeshi.\u003c\/p\u003e\n\u003cp\u003eIn 2016, he welcomed Rika Komatsu (小松里佳) as his apprentice through the Kokeshi Craftsman Training Program, passing on his knowledge of traditional woodturning and decorative painting.\u003c\/p\u003e\n\u003cp\u003eIn 2020, Sato retired from woodturning due to his advanced age and entrusted his tools to Komatsu. She subsequently established her workshop in the former Kitaoka factory in Tōgatta, continuing the craft using the equipment inherited from her teacher.\u003c\/p\u003e\n\u003cp\u003eSize: 10 x 10 x 38cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"≈40cm","offer_id":58948098031947,"sku":"K40003","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_51d5aa50-4dc3-4133-8da3-5402f24bbba5.jpg?v=1792607971"},{"product_id":"kt42-kokeshi-techo-no-298-january-1986","title":"KT42 - Kokeshi Techō No. 298 — January 1986","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJanuary 1986 (Shōwa 61)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 298 — New Year Edition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eThe Evolution of Kokeshi and the Formation of a “Second World” through the Distribution Revolution\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Minekichi Nishida (西田峯吉), p.2\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eFragments of Reminiscence (1)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Riichi Takeda (武田利一), p.4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eReflections on Tōhoku and Kokeshi Culture\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 次朗阿野, p.6\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eOku no Hosomichi: A Journey with Kokeshi (3)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Chōkichirō Shibata (柴田長吉郎), p.8\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eThoughts on Kokeshi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Minoru Murakami (村上穣), p.11\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eAs a Member of the Regular-Meeting Kokeshi Distribution Project Team\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — 橋本永興, p.12\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eDrunken Discussion\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Shōji Tezuka (手塚正二), p.13\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eEnjoying Small Kokeshi and Mame Kokeshi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Ogawa (小川一雄), p.14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eReport on the 60th Excursion\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — text by 政雄中津; photographs by 橋本永興, p.15\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — p.5\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNews from the Kokeshi World — p.7\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eInformation on the New Year Regular Meeting Venue — p.13\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNovember Souvenir Kokeshi: Isamu Igarashi (五十嵐勇) — p.23\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Distributed at the November Regular Meeting — p.24\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eMembers’ Salon — p.26\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Articles and Literature — p.29\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi World News — p.30\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. Many details preserved in older issues are difficult to find online today, making the journal a valuable reference for traditional kokeshi research.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58948116152651,"sku":"KT42","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_1ce776f0-da06-4247-80c5-ced366e877c0.jpg?v=1792608653"},{"product_id":"k10273-omiyage-kokeshi-of-uji-musume-宇治娘","title":"K10273 - Omiyage Kokeshi of Uji Musume 宇治娘","description":"\u003cp\u003eA vintage Omiyage Kokeshi representing Uji Musume (宇治娘), a traditional tea-picking girl from Uji, Kyoto Prefecture, one of Japan's most celebrated tea-producing regions.\u003c\/p\u003e\n\u003cp\u003eThis delightful wooden doll features a rounded head with gently smiling eyes, delicate black hair, and a cheerful expression. She wears a traditional white cloth headscarf, a dark indigo kimono with subtle floral patterns, and a bright yellow sash. Her outfit is completed with a purple apron and colourful red-and-white fabric around the lower body, giving the piece a lovely rustic character.\u003c\/p\u003e\n\u003cp\u003eUji (宇治) has been renowned for its high-quality green tea for centuries, particularly matcha and gyokuro. 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This complete three-volume set explores the rich history, craftsmanship, and regional traditions of Japanese folk toys, offering a valuable visual and cultural reference for collectors and enthusiasts of Japanese mingei (folk art).\u003c\/p\u003e\n\u003cp\u003eThe books were compiled by Makino Gantarō (牧野玩太郎) and Inada Toshiyuki (稲田年行), with photography by Kajihara Kazuo (梶原和夫).\u003c\/p\u003e\n\u003cp\u003eEach volume focuses on a different traditional material used in Japanese folk toy production:\u003c\/p\u003e\n\u003cp\u003eVolume 1 – 紙 (Kami \/ Paper): Explores traditional Japanese paper-based folk toys, including papier-mâché (hariko) figures, decorative masks, and colourful handcrafted objects associated with regional festivals and celebrations.\u003c\/p\u003e\n\u003cp\u003eVolume 2 – 木 (Ki \/ Wood): Dedicated to wooden folk toys, featuring traditional woodcarving, regional wooden figures, and other handcrafted toys that reflect Japan's longstanding woodworking traditions.\u003c\/p\u003e\n\u003cp\u003eVolume 3 – 土 (Tsuchi \/ Clay): Examines traditional Japanese clay folk toys, including tsuchi ningyō (clay dolls), decorative figurines, and regional earthenware creations.\u003c\/p\u003e\n\u003cp\u003eJapanese folk toys, known as kyōdo gangu (郷土玩具), are deeply connected to local customs, religious beliefs, seasonal festivals, and everyday life. Many were traditionally created as protective charms, symbols of good fortune, or gifts for children. 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Her traditional-style outfit is decorated with simple black patterns and a deep red collar, giving the figure a wonderfully innocent, childlike appearance.\u003c\/p\u003e\n\u003cp\u003eYamagata Prefecture is celebrated for its rich agricultural heritage, particularly its fruit orchards producing cherries, pears, grapes, and apples. 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A charming Japanese set of five small ceramic plates, known as Meimeizara (銘々皿), originating from Osaka, Japan, and associated with Hōmyōji Temple (法妙寺).\u003c\/p\u003e\n\u003cp\u003eEach square plate features delicate blue-and-white illustrations depicting traditional Japanese temple architecture and historic buildings. The plates are decorated in a classic Sometsuke (染付) style, using cobalt-blue designs against a soft white glazed surface. Their gently rounded corners, slightly raised edges, and fine blue borders give the set an elegant yet understated appearance.\u003c\/p\u003e\n\u003cp\u003eIn Japanese culture, Meimeizara are small individual serving plates traditionally used for presenting wagashi (Japanese sweets), particularly during tea gatherings. They may also be used for small snacks or simply displayed as decorative ceramics.\u003c\/p\u003e\n\u003cp\u003eThe set comes with its original wooden storage box (木箱), featuring handwritten Japanese calligraphy and the inscription 法妙寺特製 (specially made for Hōmyōji Temple).\u003c\/p\u003e\n\u003cp\u003eA lovely example of Japanese commemorative ceramics, combining traditional craftsmanship, local cultural heritage, and the refined aesthetics of Japanese tea culture.\u003c\/p\u003e\n\u003cp\u003eSize: 13 x 13 x 1.5cm (each)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58954078585163,"sku":"TB458","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_032ac1ad-4b81-4305-9009-2862518f9791.jpg?v=1792676237"},{"product_id":"fa37-japanese-furoshiki-fabric-cloth-風呂敷","title":"FA37 - Japanese furoshiki Fabric Cloth 風呂敷","description":"\u003cp\u003eA vintage Japanese furoshiki (風呂敷) made from 100% cotton, featuring an elegant sakura (桜) cherry blossom motif in contrasting deep blue and white.\u003c\/p\u003e\n\u003cp\u003eThe design showcases a large, stylised cherry blossom surrounded by graceful swirling patterns inspired by traditional Japanese decorative art. Its bold monochrome composition creates a timeless aesthetic, combining traditional Japanese symbolism with a modern, minimalist appeal.\u003c\/p\u003e\n\u003cp\u003eFuroshiki is a traditional Japanese wrapping cloth that has been used for centuries to wrap and transport gifts, clothing, and everyday belongings. Today, furoshiki is also appreciated as an eco-friendly alternative to disposable gift wrapping and as a versatile decorative textile.\u003c\/p\u003e\n\u003cp\u003eIn Japanese culture, sakura (cherry blossoms) symbolises renewal, beauty, and the fleeting nature of life, reflecting the Japanese appreciation of mono no aware (物の哀れ), the beauty of impermanence.\u003c\/p\u003e\n\u003cp\u003eMade from natural cotton, this versatile cloth can be used for gift wrapping, carrying personal belongings, table decoration, or displayed as a beautiful piece of Japanese textile art.\u003c\/p\u003e\n\u003cp\u003eA lovely example of Japanese textile design, perfect for collectors of traditional Japanese crafts or anyone who appreciates the beauty and practicality of furoshiki.\u003c\/p\u003e\n\u003cp\u003eSize: 100 x 100cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58964198490443,"sku":"FA37","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_e69f7dd1-c086-4e86-aa3f-56cc858ec6d0.jpg?v=1792744665"},{"product_id":"kt43-kokeshi-techo-no-294-september-1985","title":"KT43 - Kokeshi Techō No. 294 — September 1985","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ePublished in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSeptember 1985 (Shōwa 60)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIssue No. 294\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), published by the Tokyo Kokeshi Tomo-no-kai (東京こけし友の会). Cover illustration by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIkuo Okazaki (岡崎幾雄)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eMemories of the Kokeshi Association\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Gohachi \u0026amp; Hidetarō Imamura (吾八・今村秀太郎), p.2\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNotice of the Kokeshi Discussion Meeting — p.4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eMemories of Mr. Zenji Satō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Yamazaki (山崎一夫), p.5\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eJuly Souvenir Kokeshi: Hidenori Ōnuma (大沼秀則) — p.7\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eVisiting Sites Associated with the Legend of Prince Koretaka in Eastern Lake Biwa, Ōmi (continued)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Hiroshi Okita (沖田浩), p.8\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eEstablishment of the Miyagi Prefecture Federation of Traditional Kokeshi Associations — p.11\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBook Review: \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe World of the Illustrated Volume “Kokeshi Ishi”\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Chōkichirō Shibata (柴田長吉郎), p.12\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Distributed at the July Regular Meeting — p.14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Minekichi Nishida (西田峯吉), p.16\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eTravel Group Guide: Field Visit to Komata Gorge\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Kazuo Yamazaki (山崎一夫), p.20\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eRegular Meeting News — p.21\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eDōmu Robuta\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (Conclusion) — Riichi Takeda (武田利一), p.22\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eMembers’ Salon — p.24\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Articles and Literature — p.25\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi World News — p.26\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Tokyo Kokeshi Tomo-no-kai (東京こけし友の会), founded around 1953, is an association of kokeshi collectors, researchers, craftsmen, and enthusiasts dedicated to preserving and studying traditional kokeshi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけし手帖), features research on individual makers, their works, exhibitions, obituaries, and collector studies. 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The sphere is decorated with the red kanji 福 (fuku), meaning \"good fortune\" or \"blessing.\" \u003c\/p\u003e\n\u003cp\u003eShōhō (昭峰) is associated with Japanese decorative ceramic figurines, particularly zodiac animals and auspicious ornaments. Shōhō's creations are often produced in connection with established ceramic studios such as Yakushi-gama (薬師窯), reflecting the enduring traditions of Japanese pottery craftsmanship. These decorative pieces are widely appreciated as seasonal ornaments, New Year gifts, and lucky charms, combining traditional symbolism with charming, colourful designs.\u003c\/p\u003e\n\u003cp\u003eIn Japanese culture, the snake (hebi, 巳) is one of the twelve animals of the Japanese zodiac (eto, 干支). It symbolises wisdom, transformation, renewal, and prosperity. Because snakes periodically shed their skin, they are traditionally associated with rebirth and new beginnings. 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The cover illustration, featuring a stylized traditional kokeshi figure with a bold floral motif, was created by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIkuo Okazaki (岡崎幾雄)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eMemories of Yutaka Inage and Kokeshi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — Takashi Itō (伊藤孝), p.2\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eA Visit to “Michi no Kojima”\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (「みちの小島」探訪記) — Chōkichirō Shibata (柴田長吉郎), p.6\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eOral History: The Mountain Gods\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (聞き書・山の神様) — Shin Kanno (菅野新), p.10\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eA Room with Kokeshi — Visiting Mr. Katō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (こけしのある部屋―加藤剛さんをお訪ねして), p.12\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNational Kokeshi Festival \u0026amp; Onsen Shrine Festival Schedule, p.14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eList of Prize Winners from the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e31st National Kokeshi Festival\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, p.15\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (身辺雑記) — Minekichi Nishida (西田峯吉), p.16\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSpecial Exhibition: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe World of Kijishi Woodturners\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (木地屋の世界) — Kanagawa Prefectural Museum, p.23\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eRegular Meeting News, p.9\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e Nos. 291, 292 \u0026amp; 293, p.11\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eTetsunori Okuse and Zenji Satō — Disciples of Hidetarō Mori\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (奥瀬鉄則と佐藤善二―盛秀太郎の弟子達―), p.19\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eMembers’ Salon, p.20\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Articles and Literature, p.24\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi World News, p.25\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTokyo Kokeshi Tomo-no-kai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a long-established association bringing together collectors, researchers, craftsmen and enthusiasts devoted to traditional Japanese kokeshi. Its journal, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, documents individual makers, regional traditions, exhibitions, collecting activities, historical research and developments within the kokeshi community.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOlder issues such as this one are especially interesting as reference material, preserving names, personal recollections, festival records and information on craftsmen that can be difficult to find in modern sources. 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The earthy finish highlights the distinctive character of Japanese stoneware.\u003c\/p\u003e\n\u003cp\u003eIn Japanese culture, the snake (巳) is the sixth animal of the twelve-year zodiac cycle (Eto \/ 干支). It symbolises wisdom, transformation, renewal, and good fortune. Because snakes shed their skin, they are traditionally associated with regeneration and new beginnings.\u003c\/p\u003e\n\u003cp\u003eSnakes are also closely connected to Benzaiten (弁財天), one of Japan's Seven Lucky Gods, and are regarded as auspicious symbols of financial prosperity.\u003c\/p\u003e\n\u003cp\u003eThe Uchide no Kozuchi (打ち出の小槌), or lucky mallet, is traditionally carried by Daikokuten (大黒天), the God of Wealth and Abundance. According to Japanese folklore, shaking this magical mallet can bring forth treasures and fulfil wishes.\u003c\/p\u003e\n\u003cp\u003eShigaraki Ware originates from Shigaraki in Shiga Prefecture and is recognised as one of Japan's Six Ancient Kilns (日本六古窯), with a pottery tradition dating back to the medieval period.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSize: 18 x 12 x 13cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58981942952267,"sku":"FT630","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_e0c67239-4255-4b07-a888-9ccd491ba785.jpg?v=1792860847"},{"product_id":"k35040-naruko-kokeshi-by-shogo-takahashi-高橋正吾","title":"K35040 - Naruko Kokeshi by Shōgo Takahashi 高橋正吾","description":"\u003cp\u003eThis elegant Naruko kokeshi by Shōgo Takahashi 高橋正吾 (1929–2020) is a refined example of post-war craftsmanship, embodying both the discipline of tradition and the quiet sophistication of a master artisan.\u003c\/p\u003e\n\u003cp\u003eThe doll features the classic Naruko form—a broad, rounded head set atop a solid, slightly tapered cylindrical body—with a harmonious and stable presence. The face is delicately rendered, with gently arched brows, narrow eyes, and a soft, subtle smile that conveys warmth and serenity. The hairstyle is crisply defined, with bold black side locks and fine detailing at the fringe, reflecting the precision of Takahashi’s brushwork. \u003c\/p\u003e\n\u003cp\u003eShōgo Takahashi was born into a distinguished kokeshi-making family in Naruko Yumoto, Miyagi Prefecture, and trained under his father, Takahashi Musashi, from 1947. Initially focusing on utilitarian woodturning, he devoted himself to kokeshi production around 1950, rigorously refining his painting skills through daily brush practice. \u003c\/p\u003e\n\u003cp\u003eDuring the kokeshi boom of the 1960s, he emerged as one of the “five young masters of Naruko,” helping to shape the modern identity of the style. 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The cover illustration was created by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIkuo Okazaki (岡崎幾雄)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and features a highly stylized traditional kokeshi figure integrated with a bold red floral motif.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eThe Life and Kokeshi of Sakuma Torakichi II\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (佐久間虎吉（二代目）の経歴とこけし) — based on records from a kokeshi discussion meeting, p.2\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eRemembering Torakichi II\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (二代目虎吉さんを偲んで) — Toshikazu Takeda (武田利), p.3\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eA Visit to Zaō Onsen\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (蔵王温泉を訪ねて) — Iwako Hayashi (林岩子), p.5\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eOn the Kokeshi in “The World of Haiko”\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (『這子の世界』のこけしについて) — Masao Yada (矢田正生), p.7\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eOku no Hosomichi: A Journey with Kokeshi, Part 1\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (おくのほそ道・こけしの旅（1）) — Chōkichirō Shibata (柴田長吉郎), p.12\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eVisiting the National Kokeshi Festival\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (全国こけしまつりを訪ねて) — Shōji Tezuka (手塚正二), p.15\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003ePersonal Notes, Part 4\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (身辺雑記（4）) — Minekichi Nishida (西田峯吉), p.17\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCorrections to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, p.6\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eRegular Meeting News, p.9\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Distributed at the September Meeting, p.10\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSeptember Souvenir Kokeshi — Chikara Ōnuma (大沼力), p.14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eMembers’ Salon, p.23\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi Articles and Literature, p.25\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eKokeshi World News, p.26\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTokyo Kokeshi Tomo-no-kai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a long-established association devoted to the study, collecting and preservation of traditional Japanese kokeshi. Its journal \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKokeshi Techō\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e records craftsmen, regional lineages, historical research, exhibitions, collectors’ activities and personal recollections from within the kokeshi community.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis issue is particularly interesting for its material on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esecond-generation Sakuma Torakichi\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, together with articles on Zaō Onsen, the National Kokeshi Festival and a travel series inspired by \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eOku no Hosomichi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e. Vintage issues such as this have become valuable reference material for collectors and researchers, preserving information that is often difficult to locate in modern publications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize: 12.5 x 18cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58986504454475,"sku":"KT45","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_8eb06610-0750-493a-b232-cf0d4e1be5ed.jpg?v=1792920868"},{"product_id":"k05087-miniature-donko-kokeshi-pair-from-tohoku-東北","title":"K05087 -  Miniature Donko Kokeshi Pair from Tōhoku 東北","description":"\u003cp\u003eA vintage miniature Donko Kokeshi set originating from the Tōhoku region of northern Japan, featuring two adorable wooden dolls dressed in colourful traditional Japanese clothing.\u003c\/p\u003e\n\u003cp\u003eThese charming little figures feature oversized rounded heads, gently smiling eyes, and sweet, innocent expressions. One doll wears a beautiful deep red kimono with white floral patterns and a decorative hair ornament, while the other is dressed in a dark blue kimono with delicate white motifs, complemented by a striped lower garment.\u003c\/p\u003e\n\u003cp\u003eTheir compact, rounded bodies and expressive painted faces give them a wonderfully playful, almost childlike appearance. The warm natural wood, simple brushwork, and cheerful colours reflect the nostalgic charm of Japanese souvenir folk art.\u003c\/p\u003e\n\u003cp\u003eDonko Kokeshi are a playful variation of Japanese wooden souvenir dolls, often characterised by their rounded proportions, charming expressions, and decorative traditional costumes.\u003c\/p\u003e\n\u003cp\u003eUnlike conventional regional kokeshi, which follow established forms, these miniature souvenir dolls allow greater freedom in their shapes and artistic details. Such pieces were particularly popular during Japan's Shōwa period, when travellers collected small wooden dolls as keepsakes from regional destinations.\u003c\/p\u003e\n\u003cp\u003eSize: 2 x 2 x 4cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"≈5cm","offer_id":58991477752139,"sku":"K05087","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_7293fac6-f278-4614-8122-20e8fb688df8.jpg?v=1792940467"},{"product_id":"tb461-genuine-urushi-lacquer-serving-bowl-本うるし塗","title":"TB461 - Genuine Urushi Lacquer Serving Bowl 本うるし塗","description":"\u003cp\u003eA vintage Japanese serving bowl (Moribachi, 盛鉢) finished with genuine Urushi lacquer (本うるし塗). Featuring a vibrant vermilion-red colour and a smooth, glossy surface, this elegant piece reflects the timeless simplicity and refined aesthetics of traditional Japanese lacquerware.\u003c\/p\u003e\n\u003cp\u003eUrushi (漆) is a natural lacquer derived from the sap of the Japanese lacquer tree. Used in Japan for thousands of years, it is valued for its durability, distinctive lustre, and the depth of colour it develops through careful application. Genuine Urushi lacquerware represents an important part of Japanese craftsmanship, combining everyday functionality with artistic beauty.\u003c\/p\u003e\n\u003cp\u003eThis generously proportioned, shallow serving bowl features gently curved sides and a softly rounded rim, creating a harmonious, minimalist silhouette. Its striking vermilion finish, traditionally associated with celebration and good fortune in Japanese culture, adds warmth and elegance to any table setting.\u003c\/p\u003e\n\u003cp\u003eTraditionally, moribachi bowls are used for presenting shared dishes, seasonal vegetables, fruits, sweets, or other delicacies. Its understated design also makes it a beautiful decorative piece for a Japanese-inspired interior.\u003c\/p\u003e\n\u003cp\u003eAn elegant example of vintage Japanese lacquerware, ideal for collectors of traditional Japanese tableware, Urushi craftsmanship, and minimalist design.\u003c\/p\u003e\n\u003cp\u003eCondition: Vintage condition with some visible scratches and surface wear consistent with age and previous use. There is also one small chip along the inner rim, as shown in the photograph. Despite these imperfections, the bowl retains its beautiful glossy finish and decorative appeal.\u003c\/p\u003e\n\u003cp\u003eSize: 28 x 28 x 5cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58991941812555,"sku":"TB461","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_98635847-e192-4ba4-875d-1108feb3a9b6.jpg?v=1792942006"},{"product_id":"fa38-japanese-double-sided-fukusa-cloth-掛け富久紗","title":"FA38 - Japanese Double-Sided Fukusa Cloth 掛け富久紗","description":"\u003cp\u003eA beautiful vintage Japanese Kake Fukusa (掛け袱紗), a traditional decorative textile used to cover ceremonial gifts during formal occasions and celebrations in Japan.\u003c\/p\u003e\n\u003cp\u003eThis elegant double-sided Fukusa (両面袱紗) features intricate woven textures in deep green and ivory, with a traditional shibori-inspired pattern and decorative tassels at the four corners.\u003c\/p\u003e\n\u003cp\u003eOne side displays the auspicious kanji 寿 (Kotobuki), symbolising longevity, congratulations, and good fortune. The reverse features a richly detailed traditional motif, adding a sense of refinement and elegance.\u003c\/p\u003e\n\u003cp\u003eIn Japanese culture, Fukusa cloths are closely associated with the etiquette of gift-giving, particularly during weddings, anniversaries, and other auspicious occasions. The Kake Fukusa is traditionally placed over a gift or presentation tray as a gesture of respect and goodwill.\u003c\/p\u003e\n\u003cp\u003eThe combination of its symbolic design, intricate textile craftsmanship, and reversible construction makes this piece a lovely example of Japanese ceremonial textile traditions.\u003c\/p\u003e\n\u003cp\u003ePresented in its original decorative storage box, it is a charming collectible for enthusiasts of Japanese vintage textiles and traditional folk culture. It can also be appreciated as a decorative textile or displayed as a piece of Japanese fabric art.\u003c\/p\u003e\n\u003cp\u003eSize: 25 x 25cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58992484680011,"sku":"FA38","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_005304bf-423a-44e2-aec6-b6746149e928.jpg?v=1792947655"},{"product_id":"ft631-shigaraki-ware-wild-boar-figurine-信楽焼","title":"FT631 - Shigaraki Ware Wild Boar Figurine 信楽焼","description":"\u003cp\u003eA beautiful Japanese Shigaraki Ware (信楽焼) ceramic figurine, depicting a powerful wild boar (Inoshishi, 猪), crafted by Shindō (信道).\u003c\/p\u003e\n\u003cp\u003eThis expressive sculpture captures the strength and determination of a wild boar in motion, with its head lowered, prominent tusks, and carefully sculpted fur. The rich earthy brown glaze highlights the detailed textures of the animal's body, creating a lively and naturalistic appearance.\u003c\/p\u003e\n\u003cp\u003eShigaraki Ware (信楽焼) is one of Japan's Six Ancient Kilns (Rokkoyō), with a pottery tradition dating back to the medieval period. Originating in Shiga Prefecture, Shigaraki ceramics are celebrated for their rustic character, earthy tones, and close connection to Japanese nature and folk traditions.\u003c\/p\u003e\n\u003cp\u003eIn Japanese culture, the wild boar is one of the twelve zodiac animals (Eto, 干支), representing courage, determination, perseverance, and forward momentum. Its fearless character makes it a traditional symbol of strength and good fortune, particularly during the Year of the Boar.\u003c\/p\u003e\n\u003cp\u003eThe figurine is presented on a glossy black display base, accompanied by its original wooden presentation box (Tomobako, 共箱), bearing Japanese calligraphy and the maker's name.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSize: 25 x 14 x 14cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58993588765003,"sku":"FT631","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_46675367-2311-4b5f-aa32-3010112dcbfe.jpg?v=1792958096"},{"product_id":"ft632-folk-crafts-of-lucky-mallet-福のこづち","title":"FT632- Folk crafts of Lucky Mallet 福のこづち","description":"\u003cp\u003eThis is a vintage folk craft \"Fuku no Kozuchi\" (福のこづち) — a Lucky Mallet — originating from Izumo Taisha (出雲大社), one of Japan’s most ancient and revered Shinto shrines. Measuring 11cm in length, this wooden talisman is finely handcrafted and features a rich, natural wood grain with a beautiful lacquered finish. \u003c\/p\u003e\n\u003cp\u003eThe kozuchi or mallet is closely associated with Daikokuten (大黒天), the god of wealth, commerce, and good harvest, who is often depicted carrying this magical mallet. In folklore, it is said that when shaken or struck, the mallet grants good fortune, prosperity, and the fulfillment of wishes.\u003c\/p\u003e\n\u003cp\u003eThis particular mallet bears the inscription 「出雲大社」 (Izumo Taisha), marking its origin from the famed shrine in Shimane Prefecture, a place deeply linked with the deities of en-musubi (縁結び) — the binding of fateful relationships, whether romantic, familial, or social.\u003c\/p\u003e\n\u003cp\u003eSize: 11 x 7 x 6cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":58993719738699,"sku":"FT632","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_fee2d338-64e4-423b-aec1-7520ff9e1ff8.jpg?v=1792958917"},{"product_id":"k35041-togatta-by-nobuo-agatsuma-我妻信雄","title":"K35041 - Togatta by Nobuo Agatsuma 我妻信雄","description":"\u003cp\u003eA traditional Togatta-style kokeshi handcrafted by Nobuo Agatsuma, a celebrated artisan from Togatta Onsen known for his elegant brushwork and mastery of form. The body is decorated with a vertical cascade of stylized red and green floral patterns, meticulously balanced and evocative of Agatsuma’s refined aesthetic sense.\u003c\/p\u003e\n\u003cp\u003eThe natural wood grain glows softly beneath the layers of color, giving this kokeshi a warm, organic feel. This example embodies the essence of the Togatta tradition: a simple cylindrical body, large head, and decorative collar accenting the neckline.\u003c\/p\u003e\n\u003cp\u003eNobuo Agatsuma (我妻信雄, 1932–2013) born on August 18, 1932, in Togatta Onsen, Nobuo Agatsuma was the third son of master woodcarver Shozaburo Wagatsuma, who had studied under Yoshida Shunji in a woodcarving seminar held by Miyagi Prefecture in 1917. After graduating from junior high school in 1948, Nobuo began studying woodcarving under Sato Morimasa, a prominent figure in the Togatta tradition.\u003c\/p\u003e\n\u003cp\u003eFollowing his early work and brief time in Hokkaido, Nobuo returned to establish his reputation in Togatta. He worked at the Kitaoka factory and eventually opened his own workshop in 1968, where he continued producing beautiful kokeshi dolls marked by their elegant lines and subtle coloration.\u003c\/p\u003e\n\u003cp\u003eSize: 10 x 10 x 36cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"≈35cm","offer_id":58993799823691,"sku":"K35041","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_1d842163-3726-4001-9209-c840c0b06786.jpg?v=1792959760"},{"product_id":"bk73-exhibition-of-odachi-to-kodogu-大太刀と小道具-1994","title":"BK73 -  Exhibition of Ōdachi to Kodōgu 大太刀と小道具 1994","description":"\u003cp\u003eThis vintage Japanese exhibition book, titled “Ōdachi to Kodōgu” (大太刀と小道具), meaning “Large Swords and Sword Fittings,” was published in 1994 (Heisei 6) by the Cultural Department of Atsuta Shrine (熱田神宮) in Nagoya, Japan.\u003c\/p\u003e\n\u003cp\u003eDedicated to the history and artistry of traditional Japanese swords, this catalogue explores the impressive craftsmanship of Ōdachi (大太刀), exceptionally long Japanese swords historically associated with samurai warriors, as well as Kodōgu (小道具), the intricate metal fittings and decorative accessories used in Japanese sword mounting.\u003c\/p\u003e\n\u003cp\u003eFeaturing photographic documentation of historical artefacts alongside scholarly commentary supervised by renowned Japanese sword expert Nobuo Ogasawara (小笠原信夫), the publication offers insights into Japanese sword-making traditions, military history, and the artistic techniques employed by skilled metalworkers.\u003c\/p\u003e\n\u003cp\u003eThe cover features a striking historical illustration of mounted samurai warriors wearing elaborate armour, reflecting the martial heritage and visual culture of feudal Japan.\u003c\/p\u003e\n\u003cp\u003eAtsuta Shrine located in Nagoya, Atsuta Shrine is one of Japan's most historically significant Shinto shrines, renowned for its association with the legendary sacred sword Kusanagi-no-Tsurugi. The shrine preserves an important collection of historical swords, ceremonial objects, and cultural treasures, making it a significant institution for the study of Japanese sword history.\u003c\/p\u003e\n\u003cp\u003eAn interesting collectible reference for enthusiasts of Japanese swords (Nihontō), samurai history, traditional metalwork, and Japanese cultural heritage. This 1994 exhibition catalogue offers a fascinating glimpse into the craftsmanship and historical importance of Japan's sword-making traditions.\u003c\/p\u003e\n\u003cp\u003eSize: 18 x 26cm\u003cbr\u003ePages 83\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":59008134480203,"sku":"BK73","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_f419d941-7858-4dd9-b504-b3c8a827adcb.jpg?v=1793022637"},{"product_id":"ft633-omiyage-kokeshi-coming-from-yokoo-sanso-横尾山荘","title":"FT633 - Omiyage Kokeshi coming from Yokoo Sansō 横尾山荘","description":"\u003cp\u003eA vintage Japanese Omiyage Kokeshi keychain originating from Yokoo Sansō (横尾山荘), a well-known mountain lodge in the Japanese Alps, located in the Kamikōchi area of Nagano Prefecture.\u003c\/p\u003e\n\u003cp\u003eThis miniature wooden kokeshi features a sweet, hand-painted face with delicate black eyes, rosy lips, and a traditional red floral kimono. The doll is nestled inside a beautifully patterned fabric covering, resembling a protective travelling cloak, decorated with geometric and floral motifs in muted blue, cream, and brown.\u003c\/p\u003e\n\u003cp\u003eA small silver-coloured bell and orange hanging cord complete the design, making it a delightful example of vintage Japanese souvenir craftsmanship.\u003c\/p\u003e\n\u003cp\u003eYokoo Sansō is a historic mountain lodge situated in the Northern Japanese Alps, serving as an important resting point for hikers exploring the spectacular mountain landscapes around Kamikōchi, including routes towards Mount Yari and the Hotaka mountain range.\u003c\/p\u003e\n\u003cp\u003eSouvenir kokeshi such as this were traditionally sold at Japanese tourist destinations, mountain lodges, and hot spring resorts as keepsakes of memorable journeys. These miniature dolls combine the charm of Japanese folk art with the nostalgic culture of domestic travel during the Shōwa era.\u003c\/p\u003e\n\u003cp\u003eSize: 4 x 2 x 5cm (without rope)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":59009359675723,"sku":"FT633","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_532db19e-8d07-4309-b84b-1f2f50ce9911.jpg?v=1793029211"},{"product_id":"ft634-arita-ware-white-porcelain-rabbit-figurine-有田焼","title":"FT634 - Arita Ware White Porcelain Rabbit Figurine 有田焼","description":"\u003cp\u003eA charming Japanese Arita Ware (有田焼) white porcelain rabbit figurine, featuring a beautifully simplified design that captures the peaceful and gentle nature of a resting rabbit.\u003c\/p\u003e\n\u003cp\u003eIn Japanese culture, the rabbit (Usagi \/ 兎) is an auspicious animal associated with happiness, fertility, prosperity, and good fortune. As the fourth animal of the Japanese zodiac (Eto \/ 干支), the rabbit symbolises gentleness, peace, and new beginnings. Its ability to leap forward is also interpreted as a symbol of progress and success.\u003c\/p\u003e\n\u003cp\u003eRabbits hold a special place in Japanese folklore, particularly in the famous legend of the Moon Rabbit (月の兎), believed to live on the moon and prepare rice cakes (mochi). This charming tale has made the rabbit a beloved motif in Japanese art, ceramics, and seasonal decorations.\u003c\/p\u003e\n\u003cp\u003eArita Ware is one of Japan's most celebrated porcelain traditions, originating in Arita, Saga Prefecture, on the island of Kyushu. With a history dating back to the early 17th century, Arita became renowned for its fine white porcelain, elegant craftsmanship, and distinctive decorative techniques.\u003c\/p\u003e\n\u003cp\u003eWhite porcelain, known as Hakuji (白磁), highlights the natural beauty of pure form, smooth surfaces, and delicate proportions without the need for elaborate painted decoration.\u003c\/p\u003e\n\u003cp\u003eSize: 13 x 6 x 7cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":59009418559819,"sku":"FT634","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_06374858-7649-4c03-8c0a-fc51051ab244.jpg?v=1793029716"},{"product_id":"tb463-aizu-nuri-lacquerware-lidded-bowls-会津塗","title":"TB463 - Aizu-nuri Lacquerware Lidded Bowls 会津塗","description":"\u003cp\u003eVintage item, never used. A Japanese Aizu-nuri (会津塗) lacquerware set consisting of five traditional lidded soup bowls, known as Suimono-wan (吸い物椀), decorated with an elegant autumn maple leaf (Momiji \/ 紅葉) motif.\u003c\/p\u003e\n\u003cp\u003eEach bowl features a deep, glossy black lacquer-style finish, beautifully contrasted with delicate maple leaves in warm shades of red, gold, and soft orange. Fine golden branches flow gracefully across the bowls and their matching lids, creating a harmonious composition inspired by the changing colours of the Japanese autumn landscape.\u003c\/p\u003e\n\u003cp\u003eThe set comes with its original wooden storage box. Aizu-nuri is a celebrated Japanese lacquerware tradition originating from the Aizu region of Fukushima Prefecture, with a history dating back more than 400 years. Traditional Aizu-nuri often features seasonal motifs, floral patterns, and auspicious symbols, reflecting the Japanese appreciation for nature and the changing seasons.\u003c\/p\u003e\n\u003cp\u003eSuimono-wan are traditionally used to serve suimono (吸い物), a light, clear Japanese soup often prepared with delicate seasonal ingredients. These elegant lidded bowls are commonly found in formal Japanese meals, including kaiseki ryōri (懐石料理), where the presentation of food is considered just as important as its flavour.\u003c\/p\u003e\n\u003cp\u003eSize: 10 x 10 x 10cm (Each)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maison Kyo","offers":[{"title":"Default Title","offer_id":59012333568331,"sku":"TB463","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/9746\/7723\/files\/Cover_8fc4f8fc-825c-4cfa-b04f-3aa1185163cd.jpg?v=1793051548"}],"url":"https:\/\/maisonkyo.be\/collections\/new-arrivals.oembed?page=3","provider":"Maison Kyo","version":"1.0","type":"link"}